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DTSTART;TZID=America/Vancouver:20230713T180000
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SUMMARY:Jenn Ashton & Heige Boehm: An Exploration of Reconciliation through Story
DESCRIPTION:On Thursday\, July 13 at 6pm\, join Massy Arts\, Tidewater Press and Ronsdale Press in welcoming Jenn Ashton & Heige Boehm for “An Exploration of Reconciliation through Story.” \nLocal Historian and author Jenn Ashton and historical fiction author Heige Boehm delve into past global atrocities to shed light on how reconciliation can be advanced into actionable solutions. Through family accounts and storytelling\, Ashton and Boehm connect cultural histories for answers. \nThis project has been made possible by the Government of Canada. Ce projet a été rendu possible grâce au gouvernement du Canada. \nVenue & Accessibility \nThe event will be hosted online on zoom. Registration is free\, open to all and required for entrance. \nAbout The Authors \nJenn Ashton is a Squamish First Nations Artist\, Filmmaker\, Local Historian\, and Author of People Like Frank and Other Stories from the Edge of Normal (Tidewater Press 2020). She studies history at Oxford University and has recently completed work for Penguin Random House USA and David Grann on the next print edition of Killers of the Flower Moon. She is a graduate of The Writers’ Studio at Simon Fraser University and is currently working on a screenplay for her anthology series White Blotter High. https://linktr.ee/jennashton \nHeige Boehm is a historical fiction writer and the Author of Secrets in the Shadows (Ronsdale Press\, 2020). She holds a Creative Writing Certificate from The Writers’ Studio of Simon Fraser University\, Liberal Arts for 55+ Certificate from Simon Fraser University. A Certified Guided Autobiography Instructor from The Birren Center for Autobiographical Studies. Heige hosts A Writer’s Life podcast and is the founder and writing guide instructor for the Crow Story House writing workshops. She is deep into editing her second novel Black Earth. https://linktr.ee/heigeboehm \nAbout the books (click on link to purchase) \nPeople Like Frank and other stories from the edge of normal A young woman in a group home investigates a mysterious piece of knitting. An obsessed bag boy does grim battle with a squirrel. A woman\, an asparagus bag and a garbageman have a tumultuous short-term relationship. In the tradition of The Curious Incident of the Dog in the Night- time\, Room and If I Fall\, If I Die\, this uplifting collection explores the world through the eyes of protagonists whose perspectives are informed by their unique circumstances. Some are struggling with physical challenges while others seek to overcome psychological barriers. Far from being defined by their limitations\, these characters revel in achievements others take for granted and find wonder in unexpected places. By celebrating the private triumphs of people who are all too often dismissed\, Ashton reminds us all of our own humanity. \nSecrets in the Shadows tells the story of best friends\, Michael and Wolfie\, who are caught up in the fanatical enthusiasm of the Third Reich’s ideology in the 1930s. Their safe world turns upside down when Michael and Wolfie accidentally kill one of their own. When Michael turns sixteen\, and his father orders him to volunteer with the Waffen-SS. Wolfie joins him. Assigned to the Hitlerjugend 12th SS Panzer Division\, they cope with the horrors of war\, trying to keep one another alive on the battlefields. Their lives unravel\, and as one secret is exposed\, another is born. When the final showdown begins\, not only do they find themselves in Berlin with the Russians just blocks away\, but Michael and Wolfie confront the secrets that lie in the shadows of the past.
URL:https://www.readlocalbc.ca/event/jenn-ashton-heige-boehm-an-exploration-of-reconciliation-through-story/
LOCATION:Massy Arts\, 23 East Pender\, Vancouver\, B.C.\, Canada
CATEGORIES:Launch,Panel
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BEGIN:VEVENT
DTSTART;TZID=America/Vancouver:20230717T180000
DTEND;TZID=America/Vancouver:20230717T200000
DTSTAMP:20260424T202649
CREATED:20230712T211347Z
LAST-MODIFIED:20230712T211347Z
UID:17484-1689616800-1689624000@www.readlocalbc.ca
SUMMARY:An Evening with Finalists of the 2023 BC and Yukon Book Prizes
DESCRIPTION:On Monday\, July 17th at 6pm\, join Massy Arts\, Massy Books\, and BC and Yukon Book Prizes for a literary evening with three finalists of the 2023 BC and Yukon Book Prizes: Tsering Yangzom Lama\, Harrison Mooney\, and Cecily Nicholson. \nThe in-person event will feature readings of the We Measure the Earth with our Bodies (McLelland and Stewart\, 2022)\, Invisible Boy (HarperCollins 2022)\, and Harrowings (Talonbooks\, 2022) followed by a Q&A session with the audience. \nThis project has been made possible by the Government of Canada. Ce projet a été rendu possible grâce au gouvernement du Canada. \nVenue & Accessibility \nThe event will be hosted at the Massy Arts Gallery\, at 23 East Pender Street in Chinatown\, Vancouver. \nRegistration is free\, open to all and required for entrance. The gallery is wheelchair accessible and a gender-neutral washroom is on-site. Please refrain from wearing scents or heavy perfumes. \nFor more on accessibility including parking\, seating\, venue measurements and floor plan or to request ASL interpretation\, visit: massyarts.com/accessibility \nCovid Protocols: Masks keep our community safe and are mandatory (N95 masks are recommended as they offer the best protection). We ask if you are showing symptoms\, that you stay home. Thank you kindly. \nAbout the books and authors \nWe Measure the Earth with Our Bodies For readers of Homegoing and The Boat People\, a compelling and profound debut novel about a Tibetan family’s journey through exile. \nIn the wake of China’s invasion of Tibet throughout the 1950s\, Lhamo and her sister\, Tenkyi\, arrive at a refugee camp on the border of Nepal\, having survived the dangerous journey across the Himalayas into exile when so many others did not. As Lhamo—haunted by the loss of her homeland and her mother\, the village oracle—tries to rebuild a life amid a shattered community\, hope arrives in the form of a young man named Samphel and his uncle\, who brings with him the ancient statue of the Nameless Saint\, a relic long rumoured to vanish and reappear in times of need. \nDecades later\, the sisters are separated\, and Tenkyi is living with Lhamo’s daughter\, Dolma\, in Toronto’s Parkdale neighbourhood. While Tenkyi works as a cleaner and struggles with traumatic memories\, Dolma vies for a place as a scholar of Tibetan Studies. But when Dolma comes across the Nameless Saint in a collector’s vault\, she must decide what she is willing to do for her community\, even if it means risking her dreams. \nBreathtaking in scope and powerfully intimate\, We Measure the Earth with Our Bodies is a gorgeously written meditation on colonization\, displacement\, and the lengths we’ll go to remain connected to our families and ancestral lands. Told through the lives of four people over fifty years\, this beautifully lyrical debut novel provides a nuanced portrait of the world of Tibetan exiles. \nTsering Yangzom Lama holds a BA in creative writing and international relations from the University of British Columbia\, and an MFA from Columbia University. Born and raised in Nepal\, Lama has lived in Toronto\, New York City\, and Vancouver\, where she now resides. We Measure the Earth with Our Bodies is her first novel\, and it was shortlisted for the Scotiabank Giller Prize\, and longlisted for the Center for Fiction First Novel Prize\, the Toronto Book Award\, and the Carol Shields Prize for Fiction. \nInvisible Boy A narrative that amplifies a voice rarely heard—that of the child at the centre of a transracial adoption—and a searing account of being raised by religious fundamentalists \nHarrison Mooney was born to a West African mother and adopted as an infant by a white evangelical family. Growing up as a Black child\, Harry’s racial identity is mocked and derided\, while at the same time he is made to participate in the fervour of his family’s revivalist church. Confused and crushed by fundamentalist dogma and consistently abused for his colour\, Harry must transition from child to young adult while navigating and surviving zealotry\, paranoia and prejudice. \nAfter years of internalized anti-Blackness\, Harry begins to redefine his terms and reconsider his history. His journey from white cult to Black consciousness culminates in a moving reunion with his biological mother\, who waited twenty-five years for the chance to tell her son the truth: she wanted to keep him. \nThis powerful memoir considers the controversial practice of transracial adoption from the perspective of families that are torn apart and children who are stripped of their culture\, all in order to fill evangelical communities’ demand for babies. Throughout this most timely tale of race\, religion and displacement\, Harrison Mooney’s wry\, evocative prose renders his deeply personal tale of identity accessible and light\, giving us a Black coming-of-age narrative set in a world with little love for Black children. \nHarrison Mooney is a writer and journalist. Born to a West African immigrant mother\, he was adopted as an infant by a white family and raised in the Bible belt of British Columbia. He has worked for the Vancouver Sun for nearly a decade as a reporter\, an editor and a columnist. His writing has also appeared in the National Post\, the Guardian\, Yahoo and Maclean’s. Harrison Mooney lives in East Vancouver with his family. \nHARROWINGS takes place mainly in the rural and reconnects with a history of Black intellectual and artistic history in relation to agriculture. The poems include pulses of memoir from the poet’s childhood growing up in the country on a farm. These experiences connect to her volunteer work during the recent pandemic\, on a local “prison farm” – an agricultural enterprise whose leadership includes people who were formerly incarcerated. Considering movements organizing for food security\, and related\, resurgent practices\, HARROWINGS addresses the work of cultivation. Underlying references include almanacs and Anglo idioms\, drawing upon tabular information\, weather\, and the workings of the sun\, moon\, and points of stars as may be practical in relation to a localized\, growing year. The poems refuse the romance of husbandry\, cultivation\, and predictive customs. Understanding “the farm” as a tract of colonial advance – tropes of charming and white\, tradition and supremacy\, are confronted in a study of biome\, water\, soil\, and seed. With love\, despite episodic and chronic illness\, duress\, and dissociative relationships to time – the poetry advances by way of practical tasks such as watering\, weeding\, and sowing toward abolitionist futures. \nCecily Nicholson is from rural\, small-town Ontario via Toronto and South Bend\, relocated to the Pacific Coast now almost two decades. On Musqueam-\, Squamish-\, and Tsleil-Waututh-occupied lands known as Vancouver\, she worked for many years in the Downtown Eastside neighbourhood. A part of the Joint Effort prison abolitionist group and a member of the Research Ethics Board for Emily Carr University of Art and Design\, Cecily was also the 2017 Ellen Warren Tallman Writer in Residence at Simon Fraser University. She is the author of Triage\, From the Poplars\, winner of the 2015 Dorothy Livesay Poetry Prize\, and Wayside Sang\, winner of the 2018 Governor General’s Literary Award for English-Language Poetry.
URL:https://www.readlocalbc.ca/event/an-evening-with-finalists-of-the-2023-bc-and-yukon-book-prizes/
LOCATION:Massy Arts\, 23 East Pender\, Vancouver\, B.C.\, Canada
CATEGORIES:Launch
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Vancouver:20230718T180000
DTEND;TZID=America/Vancouver:20230718T200000
DTSTAMP:20260424T202649
CREATED:20230712T211451Z
LAST-MODIFIED:20230712T211451Z
UID:17488-1689703200-1689710400@www.readlocalbc.ca
SUMMARY:Double Launch: PRISM International: Issues 61.2 (SPRING) & 61.3 (IBPOC)
DESCRIPTION:On Tues. July 18th at 6pm\, join Massy Arts and PRISM international for the launch of two issues: 61.2 (SPRING) and 61.3 (IBPOC). \n61.2 (SPRING) is haunted by fleeting moments of recognition and sticky moments of queer desire. 61.3 is PRISM international’s first entirely IBPOC issue. The poems and stories in this issue explore what goes unsaid between generations\, magic\, and the transformational power of asking “what-if”. Looking at these two issues side by side\, they represent what PRISM hopes to do: publish the best contemporary writing. \nThis project has been made possible by the Government of Canada. Ce projet a été rendu possible grâce au gouvernement du Canada. \nVenue & Accessibility \nThe event will be hosted at the Massy Arts Gallery\, at 23 East Pender Street in Chinatown\, Vancouver. \nRegistration is free\, open to all and required for entrance. The gallery is wheelchair accessible and a gender-neutral washroom is on-site. Please refrain from wearing scents or heavy perfumes. \nFor more on accessibility including parking\, seating\, venue measurements and floor plan\, visit: massyarts.com/accessibility \nCovid Protocols: Masks keep our community safe and are mandatory (N95 masks are recommended as they offer the best protection). We ask if you are showing symptoms\, that you stay home. Thank you kindly. \nAbout the readers: \nNadia Froese is a poetry and fiction writer from the unceded territories of the Musqueam\, Squamish and Tsleil-Waututh Nations (Vancouver). Her writing has previously appeared in Phoebe\, Bat City Review and The Temz Review. Her debut chapbook of poetry\, Something Spectacular\, was published by 845 Press in 2021. Link to book: https://www.thetemzreview.com/store/p30/Something_Spectacular.html \nCatherine Lewis is a Vancouver-based Chinese Canadian writer. Her chap- book Zipless (845 Press\, 2021) was a Bisexual Book Awards finalist. Her work has been published in The Humber Literary Review\, is forthcoming in The Fiddlehead\, and was shortlisted in contests at Room Magazine and Pulp Literature. Link to book: https://www.catherinewriter.com/zipless/ \nKathy Mak’s debut chapbook\, Another Day\, is published by 845 Press (2020). Her poetry and creative nonfiction have appeared/are forthcoming in The/tƐmz/Review\, Marías at Sampaguitas\, Kissing Dynamite\, This Magazine\, Understorey Magazine\, Canthius\, The Malahat Review\, and What You Need to Know About Me Anthology. She creates to capture fleeting moments of life and to reflect on her experiences. Visit her website: kathymak.weebly.com \nAbout PRISM international \nPRISM international is a quarterly magazine out of Vancouver\, British Columbia\, whose office is located on the traditional\, ancestral\, and unceded territory of the xʷməθkʷəy̓əm people. Our mandate is to publish the best in contemporary writing and translation from Canada and around the world. Writing from PRISM has been featured in Best American Stories\, Best American Essays and The Journey Prize Stories\, amongst other noted publications. \nThe mandate of the magazine’s website is to provide a supplement to the print edition that connects readers with the literary community through author interviews\, book reviews\, news about Canadian writing and publishing events\, and other information of interest to our readers\, many of whom are writers themselves.
URL:https://www.readlocalbc.ca/event/double-launch-prism-international-issues-61-2-spring-61-3-ibpoc/
LOCATION:Massy Arts\, 23 East Pender\, Vancouver\, B.C.\, Canada
CATEGORIES:Launch
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BEGIN:VEVENT
DTSTART;TZID=America/Vancouver:20230719T180000
DTEND;TZID=America/Vancouver:20230719T200000
DTSTAMP:20260424T202649
CREATED:20230712T211514Z
LAST-MODIFIED:20230712T211514Z
UID:17491-1689789600-1689796800@www.readlocalbc.ca
SUMMARY:A History of Burning by Janika Oza in conversation with Brandon Wint
DESCRIPTION:On Wednesday\, July 19th\, at 6pm\, join Massy Arts\, Massy Books and Penguin Random House Canada for the West Coast launch of Janika Oza’s A History of Burning. \nIn what the New York Times Book Review calls “Remarkable. . . . A haunting\, symphonic tale”\, Oza’s A History of Burning is a profoundly moving debut novel spanning India\, Uganda\, England\, and Canada\, about how one act of survival reverberates across generations of a family and their search for a place of their own. \nJoin her in conversation with poet Brandon Wint at Massy Arts Society for this special event. \nRegistration is free or by donation\, however you can pay $30 for a signed copy of A History is Burning when you register. \nThis project has been made possible by the Government of Canada. Ce projet a été rendu possible grâce au gouvernement du Canada. \nVenue & Accessibility \nThe event will be hosted at the Massy Arts Gallery\, at 23 East Pender Street in Chinatown\, Vancouver. \nRegistration is free and required for entrance. \nThe gallery is wheelchair accessible and a gender-neutral washroom is on-site. Please refrain from wearing scents or heavy perfumes. \nFor more on accessibility including parking\, seating\, venue measurements and floor plan\, and how to request ASL interpretation please visit: massyarts.com/accessibility \nCovid Protocols: Masks keep our community safe and are mandatory (N95 masks are recommended as they offer the best protection). We ask if you are showing symptoms\, that you stay home. Thank you kindly. \nAbout the book \nA History of Burning (McLelland & Stewart\, 2023) \nFour generations. Three sisters. One impossible choice. A profoundly moving debut novel spanning India\, Uganda\, England\, and Canada\, about how one act of survival reverberates across generations of a family and their search for a place of their own. Named a New York Times Book Review Editors’ Pick\, and a most anticipated book of 2023 by the Toronto Star\, the Globe and Mail\, OprahDaily\, and Goodreads. \nIndia\, 1898. Pirbhai is the thirteen-year-old breadwinner for his family when he steps into a dhow on the promise of work\, only to be taken across the ocean to labour on the East African Railway for the British. With no money or voice but a strong will to survive\, he makes an impossible choice that will haunt him for the rest of his days and reverberate across generations. \nPirbhai’s children go on to thrive in Uganda during the waning days of British colonial rule. As the country moves towards independence and military dictatorship\, Pirbhai’s granddaughters—sisters Latika\, Mayuri\, and Kiya—come of age in a divided nation\, each forging her own path for the future. Latika is an aspiring journalist with a fierce determination to fight for what she believes in. Mayuri’s ambitions will take her farther away from her family than she ever imagined. And fearless Kiya will have to bear the weight of their secrets. \nForced to flee Uganda during Idi Amin’s brutal expulsion of South Asians in 1972\, the family must start their lives over again in Toronto. Then one day news arrives that makes each generation question how far they are willing to go\, and who they are willing to defy\, to secure a place of their own in the world. \nA masterful and breathtakingly intimate saga of colonialism and exile\, complicity and resistance\, A History of Burning is a radiant debut about the stories our families choose to share—and those that remain unspoken. \nAbout the author \nJANIKA OZA is the winner of the 2022 O. Henry Prize for Short Fiction and the 2020 Kenyon Review Short Fiction Award. She has received support from The Millay Colony\, Tin House Summer and Winter Workshops\, VONA/Voices of Our Nation\, and the One Story Summer Writers’ Conference\, and her stories and essays have appeared in publications such as The Best Small Fictions 2019 Anthology\, Catapult\, The Adroit Journal\, and The Cincinnati Review\, among others. A chapter of A History of Burning was longlisted for the 2019 CBC Short Story Prize and published in Prairie Schooner. She lives in Toronto. \nWith host: \nBrandon Wint is a poet\, spoken word artist\, educator and emerging musician based in western Canada. For more than a decade\, Brandon has been a sought-after touring performer\, educator and collaborator. He has shared his work internationally\, including in festivals and showcases in Latvia\, Lithuania\, Australia and Jamaica. His poetry has also been published in Ex-Puritan\, Arc Poetry Magazine and Write Magazine\, among others. He is currently the artistic director of Tree Reading Series. His debut collection of poetry is Divine Animal (Write Bloody North\, 2020).
URL:https://www.readlocalbc.ca/event/a-history-of-burning-by-janika-oza-in-conversation-with-brandon-wint/
LOCATION:Massy Arts\, 23 East Pender\, Vancouver\, B.C.\, Canada
CATEGORIES:Launch
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BEGIN:VEVENT
DTSTART;TZID=America/Vancouver:20230720T180000
DTEND;TZID=America/Vancouver:20230720T200000
DTSTAMP:20260424T202649
CREATED:20230712T211530Z
LAST-MODIFIED:20230712T211530Z
UID:17494-1689876000-1689883200@www.readlocalbc.ca
SUMMARY:Meet Me Tonight in Atlantic City by Jane Wong with Guests
DESCRIPTION:On Thursday\, July 20th\, at 6pm\, join Massy Arts\, Massy Books and Tin House for the West Coast launch of Jane Wong’s “blazing\, lyrical” memoir\, Meet Me Tonight in Atlantic City. Jane will be joined by guest readers Britt McGillivray and Adèle Barclay. \nIn what Elissa Washuta calls “a perfect and glimmering book”\, Meet Me Tonight in Atlantic City is a resounding love song of the Asian American working class\, a portrait of how we become who we are\, and a story of lyric wisdom to hold and to share. \nThis project has been made possible by the Government of Canada. Ce projet a été rendu possible grâce au gouvernement du Canada. \nVenue & Accessibility \nThe event will be hosted at the Massy Arts Gallery\, at 23 East Pender Street in Chinatown\, Vancouver. \nRegistration is free and required for entrance. \nThe gallery is wheelchair accessible and a gender-neutral washroom is on-site. Please refrain from wearing scents or heavy perfumes. \nFor more on accessibility including parking\, seating\, venue measurements and floor plan\, and how to request ASL interpretation please visit: massyarts.com/accessibility \nCovid Protocols: Masks keep our community safe and are mandatory (N95 masks are recommended as they offer the best protection). We ask if you are showing symptoms\, that you stay home. Thank you kindly. \nAbout the Book: \nMeet Me Tonight in Atlantic City (TinHouse\, 2023) \nAn incandescent\, exquisitely written memoir about family\, food\, girlhood\, resistance\, and growing up in a Chinese American restaurant on the Jersey shore. \nIn the late 1980s on the Jersey shore\, Jane Wong watches her mother shake ants from an MSG bin behind the family’s Chinese restaurant. She is a hungry daughter frying crab rangoon for lunch\, a child sneaking naps on bags of rice\, a playful sister scheming to trap her brother in the freezer before he traps her first. Jane is part of a family staking their claim to the American dream\, even as this dream crumbles. Beneath Atlantic City’s promise lies her father’s gambling addiction\, an addiction that causes him to disappear for days and ultimately leads to the loss of the restaurant. \nIn her debut memoir\, Jane Wong tells a new story about Atlantic City\, one that resists a single identity\, a single story as she writes about making do with what you have—and what you don’t. What does it mean\, she asks\, to be both tender and angry? What is strength without vulnerability—and humor? Filled with beauty found in unexpected places\, Meet Me Tonight in Atlantic City is a resounding love song of the Asian American working class\, a portrait of how we become who we are\, and a story of lyric wisdom to hold and to share. \nAbout the Author: \nJane Wong is the author of a memoir\, Meet Me Tonight in Atlantic City (Tin House\, 2023)\, and two collections of poetry: How to Not Be Afraid of Everything (Alice James\, 2021) and Overpour (Action Books\, 2016). She is an associate professor of creative writing at Western Washington University and lives in Seattle. \nWith Guest Readers: \nBritt McGillivray is a poet\, editor\, and non-fiction writer from the Pacific Northwest. Born in Vancouver\, BC (unceded territory of the Tsleil-Waututh\, Squamish\, and Musqueam Nations)\, they run writing retreats on Orcas Island\, WA\, and spend their time between Vancouver and Seattle. Britt is finishing their first novel. \nAdèle Barclay’s (she/they) poetry\, fiction\, and essays have appeared in The Walrus\, The Tyee\, The Pinch\, Heavy Feather Review\, glitterMOB\, PRISM\, Cosmonauts Avenue and elsewhere. She is the recipient of the 2016 Lit POP Award\, The Walrus’ 2016 Readers’ Choice Award for Poetry and The Fiddlehead’s 2022 Fiction Prize. Their debut poetry collection\, If I Were in a Cage I’d Reach Out for You won the 2017 Dorothy Livesay Poetry Prize. Her second collection\, Renaissance Normcore was nominated for the Pat Lowther Memorial Award and the ReLit Award and placed third for the 2020 Fred Cogswell Award. Excerpts from their memoir-in-progress Black Cherry have been published in Impact: Women Writing After Concussion\, This Magazine\, and The Puritan and have been nominated for creative nonfiction prizes by The Fiddlehead and The Malahat.
URL:https://www.readlocalbc.ca/event/meet-me-tonight-in-atlantic-city-by-jane-wong-with-guests/
LOCATION:Massy Arts\, 23 East Pender\, Vancouver\, B.C.\, Canada
CATEGORIES:Launch
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Vancouver:20230729T180000
DTEND;TZID=America/Vancouver:20230729T200000
DTSTAMP:20260424T202649
CREATED:20230712T211728Z
LAST-MODIFIED:20230712T211728Z
UID:17500-1690653600-1690660800@www.readlocalbc.ca
SUMMARY:Remnants of Place: Natalie Virginia Lang with Guests
DESCRIPTION:On Saturday\, July 29th at 6pm\, join Massy Arts\, Massy Books\, and Caitlin Press for Remnants of Place: Natalie Virginia Lang with Guests Stephen Collis\, Betsy Warland and Daniela Elza. \nThrough poetic prose\, Lang meditates on the social\, historical\, cultural\, and environmental losses suffered at the hands of infringement upon natural areas. \nThis project has been made possible by the Government of Canada. Ce projet a été rendu possible grâce au gouvernement du Canada. \nVenue & Accessibility \nThe event will be hosted at the Massy Arts Gallery\, at 23 East Pender Street in Chinatown\, Vancouver. \nRegistration is free and required for entrance. \nThe gallery is wheelchair accessible and a gender-neutral washroom is on-site. Please refrain from wearing scents or heavy perfumes. \nFor more on accessibility including parking\, seating\, venue measurements and floor plan\, and how to request ASL interpretation please visit: massyarts.com/accessibility \nCovid Protocols: Masks keep our community safe and are mandatory (N95 masks are recommended as they offer the best protection). We ask if you are showing symptoms\, that you stay home. Thank you kindly. \nAbout the book \nRemnants: Reveries of a Mountain Dweller (Caitlin Press\, 2023) \nIn Remnants: Reveries of a Mountain Dweller\, writer and educator Natalie Virginia Lang offers a vision of Sumas Mountain throughout the seasons to expose the impact of toxic progress on Place. Through poetic prose\, Lang meditates on the social\, historical\, cultural\, and environmental losses suffered at the hands of infringement upon natural areas. Remnants ventures into the natural spaces on Sumas Mountain\, illuminating the errors of the modern colonial approach to progress and posing philosophical queries for alternate pathways into the future. \nAbout the author \nNatalie Virginia Lang is an educator and writer\, living on Sumas Mountain in Abbotsford. Lang is passionate about the environment and is dedicated to the preservation of natural spaces\, wherever possible. \nLang holds a Master of Arts degree from Simon Fraser University where she won multiple awards\, including the Jean-Jacques Rousseau Award\, the Julie Andreyev- Animal Lover Scholarship\, the Ewan Clark Memorial Award\, and a Graduate Fellowship. She also has a degree in Literature and Anthropology from the University of the Fraser Valley and an Education degree from Simon Fraser University. \nWith readers: \nStephen Collis is the author of a dozen books of poetry and prose\, including The Commons (2008)\, the BC Book Prize winning On the Material (2010)\, Once in Blockadia (2016)\, Almost Islands: Phyllis Webb and the Pursuit of the Unwritten (2018)\, and A History of the Theories of Rain (2021)—all published by Talonbooks. In 2015 he was awarded the Nora and Ted Sterling Prize in Support of Controversy\, after he was sued by oil company Kinder Morgan\, whose lawyers entered Collis’s poetry as evidence in court. In 2019 he was the recipient of the Latner Writers’ Trust of Canada Poetry Prize in recognition of his body of work. \nBetsy Warland has published 13 books of creative nonfiction and poetry. The second edition of Warland’s Breathing the Page—Reading the Act of Writing (2010)\, is coming out with new material in 2023. Former director of The Writers Studio at SFU\, and the Vancouver Manuscript Intensive\, Warland was a co-founder of the Creative Nonfiction Collective. A manuscript consultant\, editor and teacher\, they received the City of Vancouver Mayor’s Award for Literary Excellence in 2016. In 2022\, an annual national prize\, The VMI Betsy Warland Between Genres Award\, was launched. \nDaniela Elza lived on three continents before immigrating to Canada in 1999. Her latest poetry collections are the broken boat (2020) and slow erosions (2020). In 2021\, she became a founding member of the Place Mattering Matters Collective and has been actively involved in preserving the affordable housing in her community in Vancouver\, located on the unceded territories of the xʷməθkʷəy̓əm (Musqueam)\, Sḵwx̱wú7mesh (Squamish)\, and səlilwətaɬ (Tsleil-Waututh) Nations. She is also working on a manuscript on the topic.
URL:https://www.readlocalbc.ca/event/remnants-of-place-natalie-virginia-lang-with-guests/
LOCATION:Massy Arts\, 23 East Pender\, Vancouver\, B.C.\, Canada
CATEGORIES:Launch
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