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DTSTART;TZID=America/Vancouver:20231007T080000
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DTSTAMP:20260430T205216
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SUMMARY:Daddy Lessons by Steacy Easton with host Andrea Warner
DESCRIPTION:On Saturday\, October 7th at 6pm\, join Massy Arts\, Massy Books and Coach House Books for the Vancouver launch of Daddy Lessons by Steacy Easton with host Andrea Warner. \nPart memoir\, part literary study\, part formalist exercise in excitement\, Daddy Lessons is a transgressive text of pleasure\, bodies\, the Lord\, and the West. \nVenue & Accessibility \nThe event will be hosted at the Massy Arts Gallery\, at 23 East Pender Street in Chinatown\, Vancouver.\nRegistration is free and required for entrance. \nThe gallery is wheelchair accessible and a gender-neutral washroom is on-site. Please refrain from wearing scents or heavy perfumes. \nFor more on accessibility including parking\, seating\, venue measurements and floor plan\, and how to request ASL interpretation please visit: massyarts.com/accessibility \nCovid Protocols: Masks keep our community safe and are mandatory (N95 masks are recommended as they offer the best protection). We ask if you are showing symptoms\, that you stay home. Thank you kindly. \nAbout the book: \nDaddy Lessons (Coach House Books\, 2023) \nIn this post-gender\, post-sexuality\, queer prairie Decameron\, Steacy Easton’s sexual anxiety becomes textual anxiety. This is a messy history of Mormon missionaries\, bathhouses\, Anglican boarding schools\, the back rooms of prairie bars\, Montreal classrooms\, and the many religious spaces that have tried to snuff out queer desire while turning a blind eye to abuse. These are provocative tales to turn on\, offend\, and sentimentalize. Easton explores the seminal texts of their sexuality\, from Frank O’Hara to Neil LaBute\, Kip Moore to Lorelei James\, and delves into their own encounters as they came of age. These daddy lessons are blunt about the ambivalences of trauma and the pleasures of disobedience\, slippery and difficult\, reveling in the funk of memory and desire. \nAbout the author: \nSteacy Easton is a writer and visual artist\, originally from Edmonton\, who has lived in Hamilton for more than seven years. They have written on gender\, sexuality\, and country music for publications including Slate\, NPR\, and the Atlantic Online. Their upcoming books include Why Tammy Wynette Matters for University of Texas and a 33 1⁄3 Volume for Bloomsbury. They were the 2022 Martha Street Artist Residence in Winnipeg. \nAbout the host: \nAndrea Warner writes and talks. A lot. She’s the author of 2023’s Rise Up and Sing! Power\, Protest\, and Activism in Music\, 2018’s Buffy Sainte-Marie: The Authorized Biography\, and co-wrote the 2022 documentary Buffy Sainte-Marie: Carry It On. Andrea is a settler who was born and raised in Vancouver on the unceded traditional territories of the Musqueam\, Squamish\, and Tsleil-Waututh First Nations. \n____ \nThis project has been made possible by the Government of Canada. Ce projet a été rendu possible grâce au gouvernement du Canada.
URL:https://www.readlocalbc.ca/event/daddy-lessons-by-steacy-easton-with-host-andrea-warner/
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DTSTART;TZID=America/Vancouver:20231006T180000
DTEND;TZID=America/Vancouver:20231006T180000
DTSTAMP:20260430T205216
CREATED:20230921T201059Z
LAST-MODIFIED:20230921T201059Z
UID:18680-1696615200-1696615200@www.readlocalbc.ca
SUMMARY:Becoming a Matriarch by Helen Knott with Jónína Kirton
DESCRIPTION:RELAUNCHED WITH NEW DATE: \nOn Friday\, October 6th at 6:00pm\, join Massy Arts Society\, Massy Books\, the Museum of Vancouver\, and Knopf Canada for the launch of Helen Knott’s Becoming a Matriarch with host Jónína Kirton. \n“Becoming a Matriarch is a feast of remarkable\, colourful\, deep and profoundly raw storytelling. Helen Knott is one of the greatest Indigenous literary artists of our time.” —Brandi Morin\, author of Our Voice of Fire: A Memoir of a Warrior Rising. \nThis project has been made possible by the Government of Canada. Ce projet a été rendu possible grâce au gouvernement du Canada. \nRegistration is free/by donation\, open to all and required for entrance. \nPurchase Becoming a Matriarch at Massy Books in advance or in person at the event. \nVenue & Accessibility \nThe event will be hosted at the Museum of Vancouver’s Joyce Walley Room\, 1100 Chestnut St\, Vancouver\, BC. \nRegistrants can enjoy free admission to the museum all day\, at any time before the event [10am to 6pm]. Just show your ticket to the event at the front desk. To see which exhibitions are currently on view\, check out this link: https://museumofvancouver.ca/current-exhibitions \nPlease refrain from wearing scents or heavy perfumes. \nCovid Protocols: Masks keep our community safe and are mandatory (N95 masks are recommended as they offer the best protection). We ask if you are showing symptoms\, that you stay home. Thank you kindly. \nParking & Directions \nThe Museum of Vancouver website has detailed descriptions of how to reach the museum by bus\, ferry\, on foot or by car. Note that the MOV parking lot is an Easy park lot with Easy park rates and is strictly monitored by Easypark. A parking violation ticket can cost $80! \nPlease visit their site to find out how best to arrive. \nAbout The Book: \nBecoming a Matriarch (Knopf Canada\, 2023) \nWhen matriarchs begin to disappear\, there is a choice to either step into the places they left behind\, or to craft a new space. \nHelen Knott’s debut memoir\, In My Own Moccasins\, wowed reviewers\, award juries\, and readers alike with its profoundly honest and moving account of addiction\, intergenerational trauma\, resilience\, and survival. Now\, in her highly anticipated second book\, Knott returns with a chronicle of grief\, love\, and legacy. \nHaving lost both her mom and grandmother in just over six months\, forced to navigate the fine lines between matriarchy\, martyrdom\, and codependency\, Knott realizes she must let go\, not just of the women who raised her\, but of the woman she thought she was. \nWoven into the pages are themes of mourning\, sobriety through loss\, and generational dreaming. Becoming a Matriarch is charted with poetic insights\, sass\, humour\, and heart\, taking the reader over the rivers and mountains of Dane Zaa territory in Northeastern British Columbia\, along the cobbled streets of Antigua\, Guatemala\, and straight to the heart of what matriarchy truly means. This is a journey through pain\, on the way to becoming. \nAbout the author: \nHelen Knott is a Dane Zaa\, Cree\, Metis and mixed Euro-descent woman from Prophet River First Nations living in Fort St. John\, B.C. She is the author of the nationally best-selling book\, In My Own Moccasins. Her second book\, Becoming a Matriarch\, has been released through Knopf Doubleday Publishing. Helen has a bachelor’s degree in social work and has worked in advocacy and wellness with Indigenous communities for almost a decade. Helen has pieces published ranging from poetry to academic articles that focus on the connection between violence against Indigenous lands and violence against Indigenous bodies. She is currently taking time to work on her third book\, a fiction\, whose story will be rooted in her peoples territory. \nAbout the host: \nJónína Kirton\, an Icelandic and Red River Métis poet was born in Portage la Prairie\, Manitoba\, Treaty 1\, the traditional lands of the Anishinaabe\, Cree\, Oji-Cree\, Dakota\, Dene peoples and the homeland of the Métis. She graduated from the Simon Fraser University’s Writer’s Studio in 2007. She released her first book\, page as bone ~ ink as blood\, in 2015 and was sixty-one when she received the 2016 Vancouver’s Mayor’s Arts Award for an Emerging Artist in the Literary Arts category. Her second collection of poetry\, An Honest Woman\, was a finalist in the 2018 Dorothy Livesay Poetry Prize. Her third book\, Standing in a River of Time\, released in 2022\, merges poetry and lyrical memoir to take us on a journey exposing the intergenerational effects of colonization on her Métis family.
URL:https://www.readlocalbc.ca/event/becoming-a-matriarch-by-helen-knott-with-jonina-kirton/
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DTSTART;TZID=America/Vancouver:20231005T180000
DTEND;TZID=America/Vancouver:20231005T180000
DTSTAMP:20260430T205216
CREATED:20230921T201040Z
LAST-MODIFIED:20230921T201040Z
UID:18677-1696528800-1696528800@www.readlocalbc.ca
SUMMARY:Furniture Music by Gail Scott with guest Cecily Nicholson
DESCRIPTION:On Thursday\, October 5th at 6pm\, join Massy Arts\, Massy Books and Wave Books for the Vancouver launch of Furniture Music by Gail Scott. Gail will be joined by HARROWINGS author Cecily Nicholson. \nThis project has been made possible by the Government of Canada. Ce projet a été rendu possible grâce au gouvernement du Canada. \nVenue & Accessibility \nThe event will be hosted at the Massy Arts Gallery\, at 23 East Pender Street in Chinatown\, Vancouver. \nRegistration is free and required for entrance. \nThe gallery is wheelchair accessible and a gender-neutral washroom is on-site. Please refrain from wearing scents or heavy perfumes. \nFor more on accessibility including parking\, seating\, venue measurements and floor plan\, and how to request ASL interpretation please visit: massyarts.com/accessibility \nCovid Protocols: Masks keep our community safe and are mandatory (N95 masks are recommended as they offer the best protection). We ask if you are showing symptoms\, that you stay home. Thank you kindly. \nAbout the books: \nFurniture Music (Wave Books\, 2023) \nIn Furniture Music\, Montreal luminary Gail Scott chronicles her years in Lower Manhattan during the Obama era\, in a community of poets at the junction between formally radical and political art. Immersing herself in a New York topography that includes St. Mark’s Poetry Project and the Bowery Poetry Club\, Scott writes from a ‘Northern’ awareness that is both immediate and inquisitive\, from Obama’s election to Occupy Wall Street and Hurricane Sandy. Here\, readers are situated in conversations around citizenship\, gender performance\, class\, race\, feminism\, and what it means to be writing now. Scott’s project is polyvocal\, also resonating with the voices of a host of earlier writers and philosophers\, notably\, Gertrude Stein\, Viktor Shklovsky\, and Walter Benjamin. The result is a staggering work of insight and hope during a critical time in American politics and art. \nHarrowings (Talonbooks\, 2022) \nSet mainly in the rural\, HARROWINGS connects with Black intellectual and art history in relation to agriculture. The poems include pulses of memoir from the poet’s childhood growing up on a farm\, as well as from more recent pandemic experiences volunteering for a local agricultural enterprise led by people who were formerly incarcerated. Considering movements organizing for food security and related\, resurgent practices\, HARROWINGS also contends with “the farm” as a tract of colonial advance. Tropes of tradition and supremacy are confronted in this study of biome\, plants\, and soil. Despite episodic and chronic illness\, and by way of practical tasks such as sowing\, pruning\, and watering\, the poetry advances with love towards abolitionist futures. \nAbout the authors: \nGail Scott’s prose works are laboratories for concocting tales about cities across language/ genre/gender boundaries. Her 2021 poetics\, Permanent Revolution\, engaging with radical prose writers across the continent \, was short-listed for Le Grand Prix du livre de Montréal. Other acclaimed city novels include The Obituary\, a fractalled tale of suppressed diversity in post-millennial Québec\, also a Grand Prix finalist; Heroine\, about radical art and politics in turbulent 80s Montréal; and My Paris\, about a sad diarist looking for a lost avant-garde in 90s Paris. Her translation of Michael Delisle’s Le désarroi du matelot was a Governor General finalist. She won major studio grants (Le Conseil des arts et des lettres du Québec) for New York and Paris. She was an invited writer at Brown\, UCSD\, University of Alberta\, and Université de Montréal\, where she taught creative writing for fifteen years. Scott lives in Montréal. \nCecily Nicholson is the author of four books and a past recipient of the Dorothy Livesay Poetry Prize and the Governor General’s Literary Award for Poetry. She is an Assistant Professor in Poetry at the School of Creative Writing\, UBC and will be the 2024/2025 Holloway Lecturer in Poetry and Poetics at UC Berkeley. Cecily volunteers with community impacted by food insecurity and her most recent book HARROWINGS considers Black rurality\, agriculture\, and art history.
URL:https://www.readlocalbc.ca/event/furniture-music-by-gail-scott-with-guest-cecily-nicholson/
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BEGIN:VEVENT
DTSTART;TZID=America/Vancouver:20231004T180000
DTEND;TZID=America/Vancouver:20231004T180000
DTSTAMP:20260430T205216
CREATED:20230921T201017Z
LAST-MODIFIED:20230921T201017Z
UID:18674-1696442400-1696442400@www.readlocalbc.ca
SUMMARY:When My Ghost Sings by Tara Sidhoo Fraser
DESCRIPTION:On Wed. October 4th at 6pm\, join Massy Arts\, Massy Books and Arsenal Pulp Press for the launch of Tara Sidhoo Fraser’s When My Ghost Sings: A Memoir of Stroke\, Recovery\, and Transformation. \nCome and absorb Tara Sidhoo Fraser’s lucid exploration of amnesia\, selfhood\, and who is left behind when the past is obliterated. Tara will be joined by host Lanika Yule. \nVenue & Accessibility \nThe event will be hosted at the Massy Arts Gallery\, at 23 East Pender Street in Chinatown\, Vancouver. \nRegistration is free and required for entrance. \nThe gallery is wheelchair accessible and a gender-neutral washroom is on-site. Please refrain from wearing scents or heavy perfumes. \nFor more on accessibility including parking\, seating\, venue measurements and floor plan\, and how to request ASL interpretation please visit: massyarts.com/accessibility \nCovid Protocols: Masks keep our community safe and are mandatory (N95 masks are recommended as they offer the best protection). We ask if you are showing symptoms\, that you stay home. Thank you kindly. \nAbout the book: \nWhen My Ghost Sings: A Memoir of Stroke\, Recovery\, and Transformation(Arsenal Pulp Press\, 2023) \nTara Sidhoo Fraser is thirty-two years old when a rare mutation in her brain causes a stroke\, and she awakens after surgery with no memory of her previous life. Through a haze of amnesia\, memories do begin to surface\, but they are seen through someone else’s eyes—the person whose body she stole\, whom she calls Ghost. \nFighting to stabilize her existence\, Tara struggles with the gulf between who she was and who she is now while constantly battling and paying penance to Ghost—whose voice becomes stronger\, and memories buried in the body they now share of hospital visits\, old desires\, and her ex threaten Tara’s new relationship. \nShe burrows deeper into the mystery of who she once was\, recognizing the need to fuse herself and Ghost into one. When My Ghost Sings is a lyrical memoir of healing\, a farewell letter\, and a reclamation of selfhood. \nAbout the author: \nTara Sidhoo Fraser (she/her) is a queer writer and creator who lives on the unceded territories of the Musqueam\, Squamish\, and Tsleil-Waututh Nations (Vancouver\, Canada). A woman of South Asian and Scottish ancestry\, she is split between family histories. She graduated from the University of Victoria with a BA in Anthropology in 2016 and has since published stories with Autostraddle and Anathema magazine. Her first book\, When My Ghost Sings: A Memoir of Stroke\, Recovery\, and Transformation\, is a love story centred in selfhood and who is left behind when the past is obliterated. tarasidhoofraser.com \nAbout the host: \nLanika (Lah-NEE-kah) is a tender-hearted scribe who lives in the valley of the Stó:lō\, on the sunny side of the street. Their poem “Mikveh” will be in the Federation of BC Writers 2022 Literary Contest Anthology. You can find her many squishy feelings at Lanika.ca \nThis project has been made possible by the Government of Canada. Ce projet a été rendu possible grâce au gouvernement du Canada.
URL:https://www.readlocalbc.ca/event/when-my-ghost-sings-by-tara-sidhoo-fraser/
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DTSTART;TZID=America/Vancouver:20231003T190000
DTEND;TZID=America/Vancouver:20231003T203000
DTSTAMP:20260430T205216
CREATED:20230926T212545Z
LAST-MODIFIED:20230926T212545Z
UID:18750-1696359600-1696365000@www.readlocalbc.ca
SUMMARY:Book Launch: Freddie by Grant Hayter-Menzies • Victoria\, BC
DESCRIPTION:Join local author Grant Hayter-Menzies as he presents Freddie: The Rescue Dog Who Rescued Me\, a book for anyone who has ever loved and lost an animal. \nFreddie is the moving memoir of a writer—a biographer of historical animals—whose life was forever changed when a rescue dog came into his life. \nTracing their journey from Freddie’s adoption and socialization through his growing bond with Grant to his devastating cancer diagnosis in 2020\, this memoir reminds us of everything that animals can teach us about love\, loyalty\, and courage\, and is a call to action to end the unethical and abusive treatment of animals everywhere. \n• Free to attend\n• All ages welcome\n• LGBTQ friendly\n• Books will be available for purchase and signing\n• To RSVP: To register for this event\, use the ‘Buy Tickets’ (free) button at bolenbooks.com https://bolenbooks.com/events/29491\nFreddie
URL:https://www.readlocalbc.ca/event/book-launch-freddie-by-grant-hayter-menzies-victoria-bc/
LOCATION:Bolen Books\, #111-1644 Hillside Ave.\, Victoria\, BC\, V8T 2C5\, Canada
CATEGORIES:Launch
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BEGIN:VEVENT
DTSTART;TZID=America/Vancouver:20231003T180000
DTEND;TZID=America/Vancouver:20231003T180000
DTSTAMP:20260430T205216
CREATED:20230921T201002Z
LAST-MODIFIED:20230921T201002Z
UID:18671-1696356000-1696356000@www.readlocalbc.ca
SUMMARY:Under the Table - Poetry Open Mic Series featuring Erin Kirsh
DESCRIPTION:On Tuesday\, October 3rd\, at 6pm PDT\, join Massy Arts Society and a collective of brilliant poet organizers for Under The Table Open Mic Series\, featuring Erin Kirsh. \nDoors and sign-up at 5:45\, show starts at 6 \n(we run on crip time with the understanding that bodies and brains aren’t always on schedule) \nWe invite you to sign up for the open mic as Under The Table welcomes us to laugh\, cry\, celebrate and sit in the richness of queer and disabled life\, writing and poetics. \nIf you’re signing up for the open mic\, when possible please come with a physical or electronic copy of the poem that can be shared with the ASL interpreters\, to provide better access for d/Deaf & hard of hearing audiences. \nUnder the Table is an open mic series centering disabled and/or queer poets. This series was dreamed up out of a desire to share work\, experience art\, and connect with community in a covid safer\, more accessible\, and anti-oppressive space. Partnering with Massy Voices and Kickstart Disability Arts & Culture\, Under the Table Open Mic Series will be on the first Tuesday of each month with some events in person at Massy Arts Society and others virtually on zoom. \nVenue & Accessibility \nThe event will be hosted at the Massy Arts Gallery\, at 23 East Pender Street in Chinatown\, Vancouver. \nMassy Arts Gallery is a single-level space\, in one single room. The entryway to the building is 38″ wide\, with a transition less than 0.5″. The front door is a push door that swings inward to the left. There is no automatic opening door or switch but the door will stay open until the show starts. There is one gender inclusive bathroom in the space. The door is not automatic. Pull to enter\, push to exit. The width of the doorway is 90cm / 35.5in. The bathroom is 45sq ft. There are two sets of grab bars located behind and to the right of the toilet.The space is a scent-free space. We kindly ask that event attendees refrain from wearing scented products in the space. The venue has a scent free soap and uses scent free cleaning products. \nASL interpretation is confirmed for the event. Please note that there may be some hiccups in interpretation for poems they are not able to read beforehand. For more info on accessibility including transit and parking\, seating\, and venue measurements and floor plan\, please visit: massyarts.com/accessibility. If you have questions about accessibility at this event please email us at patricia@massybooks.com or underthetablepoetry@gmail.com \nCOVID-19 SAFETY \nMasks are required for this event (N95 masks are recommended as they offer the best protection) and will be provided for anyone who does not bring one. There will be an air purifier in the space as well as antibacterial microphone covers. The host and feature poet will rapid test before the event and we encourage attendees to rapid test before coming as well. We ask that you stay home if you are showing symptoms or had a recent exposure. \nAbout Under The Table: \nUnder the Table is a space where the richness that is queer and disabled life and art\, flourishes and finds a home. It’s a space to share work that’s asking to be told\, but might not be welcomed in other spaces\, if you are able to access those spaces at all. It’s a space where being queer and/or disabled (whether or not those specific words resonate for you) makes your work a brilliant fit\, regardless of how queer or disabled you think the poetry you wish to share is\, how connected you are to disabled and/or queer community\, and whether you feel disabled and/or queer “enough” to participate. It’s a space to witness and engage with the work of incredible artists\, anywhere on their path of sharing their work–from the person who has never shared in front of an audience\, to artists who have read or performed work many times. It’s a space where there’s room to be scared\, and choose to be in community\, share\, and engage with others’ work. It’s a space where we don’t claim to know all the answers\, but are willing to be in the messy\, nuanced space of learning together. Come to “Under the Table” to laugh\, cry\, celebrate\, sit in discomfort\, feel understood\, and be together. \nThis event has been made possible by The League of Canadian Poets\, Kickstart Disability Arts and Culture\, and the Canada Council for the Arts. \nWith Featured Poet: \nErin Kirsh is a queer\, hard-of-hearing writer and performer from Toronto. Kirsh is a two-time member of the Vancouver Poetry Slam team and served as the Managing Director for the 2016 Verses Festival of Words. Erin’s poetry\, fiction\, and essays have appeared in magazines worldwide. When she’s not talking about books\, Kirsh enjoys pop culture hot takes and befriending the neighbourhood cats.
URL:https://www.readlocalbc.ca/event/under-the-table-poetry-open-mic-series-featuring-erin-kirsh/
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BEGIN:VEVENT
DTSTART;TZID=America/Vancouver:20231002T180000
DTEND;TZID=America/Vancouver:20231002T180000
DTSTAMP:20260430T205216
CREATED:20230921T200945Z
LAST-MODIFIED:20230921T200945Z
UID:18669-1696269600-1696269600@www.readlocalbc.ca
SUMMARY:Take the Compass by Maureen Hynes with guest poet Kim Trainor
DESCRIPTION:On Monday\, October 2nd at 6pm\, join Massy Arts\, Massy Books\, McGill-Queen’s University Press and Goose Lane Editions in welcoming Maureen Hynes with guest Kim Trainor. \nHynes’ Take the Compass and Trainor’s A thin fire runs through me travel in time through the troubled present and into our perilous collective futures\, interrogating existence\, courage\, and complexity on the journey. \nThis project has been made possible by the Government of Canada. Ce projet a été rendu possible grâce au gouvernement du Canada. \nVenue & Accessibility \nThe event will be hosted at the Massy Arts Gallery\, at 23 East Pender Street in Chinatown\, Vancouver. \nRegistration is free and required for entrance. \nThe gallery is wheelchair accessible and a gender-neutral washroom is on-site. \nPlease refrain from wearing scents or heavy perfumes. \nFor more on accessibility including parking\, seating\, venue measurements and floor plan\, and how to request ASL interpretation please visit: massyarts.com/accessibility \nCovid Protocols: Masks keep our community safe and are mandatory (N95 masks are recommended as they offer the best protection). We ask if you are showing symptoms\, that you stay home. Thank you kindly. \nAbout the books \nTake the Compass (McGill-Queen’s University Press\, 2023) \nA strong theme of journeys is threaded through Maureen Hynes’s Take the Compass. In a sense\, every poem is itself a journey—into the past or the present\, or toward what we hope and fear for the future. Poems can be journeys of repair and recovery\, adventure and discovery. However\, even in these pandemic times when our “journeying” is confined or even curtailed\, when we are abiding in one physical location with chafing and restiveness\, we are still travelling. And of course\, one of those journeys is discovering where language can take us. \nThe poems in Take the Compass travel through cities and their outskirts\, to rivers\, forests and graveyards. They travel in time through the troubled present\, across decades into early childhood and into our perilous collective futures\, seeking guides for these explorations. The title poem addresses the search for tools and instruments that will “ward off adversity\,” and help us move forward to our chosen destinations. Take the Compass calls on art and nature as invisible helpers\, and on uncountable things – personal values and traits\, such as courage – to “break the bad news into nine living petals.” \nAs with all her collections\, Hynes shows a commitment to social justice\, to acknowledging historical and contemporary inequities\, to the search for sources of remedy\, repair and renewal\, and to the sustaining power of love. The variety of poetic forms she has chosen lets this search carry the complexity and seriousness of its themes. \nA thin fire runs through me (Goose Lane Editions\, 2023) \nIn A thin fire runs through me\, Kim Trainor interrogates what it means to exist\, to navigate the quotidian amidst the constant drip-feed of political and ecological disasters. \nWritten over an intense nine-month period in 2016 and 2017 amidst the stresses of heartbreak\, depression\, and the progression of a new love\, Trainor’s exquisite sequence of short poems offers meditations on different hexagrams in the I Ching\, or Book of Changes. Incorporating fragments from reportage on current events\, Jewish liturgy\, and lyric poetics\, she latches her readers to the present while acknowledging the inescapable presence of the past. \nAbout the poets \nMaureen Hynes lives in Dish with One Spoon territory/Toronto\, and is the author of six collections of poetry\, including Take the Compass\, from McGill-Queen’s University Press. Her first collection won the League of Canadian Poets’ Gerald Lampert Award and following collections have been finalists for the League’s Raymond Souster Award\, and twice for the Pat Lowther Award\, as well as the Golden Crown Literary Award for lesbian writers (U.S). Her poetry has been included in over 30 anthologies\, including three times in Best Canadian Poems in English (2010\, 2016 and 2020)\, and in Best of the Best Canadian Poetry (2021). Maureen has given numerous poetry workshops and has taught at the University of Toronto’s Creative Writing certificate program. (www.maureenhynes.com). \nKim Trainor is the granddaughter of an Irish banjo player and a Polish faller who worked in logging camps around Port Alberni in the 1930s. A thin fire runs through me appeared with icehouse poetry in 2023. A blueprint for survival will appear in Spring 2024 with Guernica Editions. Her poems have appeared in Anthropocenes (AHIP)\, Ecocene\, ISLE\, Ecozon@\, Dark Mountain (UK) and Fire Season I and II (Vancouver). Her poetry films have screened at Zebra Poetry Film Festival (Berlin) and at +the Institute [for experimental art] (Athens)\, as well as in Ireland and the US. Her current project is “walk quietly / ts’ekw’unshun kws qututhun\,” a guided walk at Hwlhits’um (Canoe Pass) in Delta\, BC\, which she has co-curated with the artist Amy-Claire Huestis\, and which features contributions from artists\, scientists\, and Hwlitsum and Cowichan knowledge holders.
URL:https://www.readlocalbc.ca/event/take-the-compass-by-maureen-hynes-with-guest-poet-kim-trainor/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Vancouver:20231001T140000
DTEND;TZID=America/Vancouver:20231001T170000
DTSTAMP:20260430T205216
CREATED:20230921T200927Z
LAST-MODIFIED:20230921T200927Z
UID:18666-1696168800-1696179600@www.readlocalbc.ca
SUMMARY:Empty Spaces by Jordan Abel
DESCRIPTION:On Sunday\, October 1st at 2pm\, join Massy Arts\, Massy Books and McLelland & Stewart for the launch of Jordan Abel’s Empty Spaces. \nEmpty Spaces is a bold and profound new vision of history that decenters human perception and forgoes Westernized ways of seeing. \nJordan will be joined by moderator and author Mercedes Eng. \nVenue & Accessibility \nThe event will be hosted at the Massy Arts Gallery\, at 23 East Pender Street in Chinatown\, Vancouver. \nRegistration is free and required for entrance. \nThe gallery is wheelchair accessible and a gender-neutral washroom is on-site. \nPlease refrain from wearing scents or heavy perfumes. \nFor more on accessibility including parking\, seating\, venue measurements and floor plan\, and how to request ASL interpretation please visit: massyarts.com/accessibility \nCovid Protocols: Masks keep our community safe and are mandatory (N95 masks are recommended as they offer the best protection). We ask if you are showing symptoms\, that you stay home. Thank you kindly. \nAbout the book \nEmpty Spaces (McLelland & Stewart\, 2023) \nFrom the acclaimed\, boundary-breaking author of NISHGA comes a hypnotic and mystifying exploration of land and legacy. \nReimagining James Fenimore Cooper’s nineteenth-century text The Last of the Mohicans from the contemporary perspective of an urban Nisga’a person whose relationship to land and traditional knowledge was severed by colonial violence\, Jordan Abel explores what it means to be Indigenous without access to familial territory and complicates popular understandings about Indigenous storytelling. Engaging the land through fiction and metaphor\, the successive chapters of Empty Spaces move toward an eerie\, looping\, and atmospheric rendering of place that evolves despite the violent and reckless histories of North America. The result is a bold and profound new vision of history that decenters human perception and forgoes Westernized ways of seeing. \nJordan Abel’s extraordinary debut work of fiction grows out of his groundbreaking visual compositions in NISHGA\, which integrated descriptions of the landscape from Cooper’s settler classic into his father’s traditional Nisga’a artwork. In Empty Spaces\, Abel reinscribes those words on the page itself\, subjecting them to bold rewritings and inviting us to come to a crucial understanding: that the land knows everything that can and will happen\, even as our world lurches toward uncertainty. \nAbout the author \nJordan Abel is a queer Nisga’a writer from Vancouver. He is the author of The Place of Scraps (winner of the Dorothy Livesay Poetry Prize)\, Un/inhabited\, and Injun (winner of the Griffin Poetry Prize). NISHGA won the Hubert Evans Non-Fiction Prize and the VMI Betsy Warland Between Genres award\, and was a finalist for the Hilary Weston Writers’ Trust Prize for Nonfiction\, the Wilfrid Eggleston Award for Nonfiction\, and the Roderick Haig-Brown Regional Prize. Abel’s work has been published in numerous journals and magazines—including Canadian Literature\, The Capilano Review\, and The Fiddlehead—and his work has been anthologized widely\, including The Broadview Introduction to Literature. Abel completed a Ph.D. at Simon Fraser University in 2019\, and is currently an Associate Professor in the Department of English and Film Studies at the University of Alberta where he teaches Indigenous Literatures\, Research-Creation\, and Creative Writing. \nAbout the moderator \nMercedes Eng is the author of Mercenary English\, Prison Industrial Complex Explodes\, which won the BC Poetry Prize\, and my yt mama. She is an Assistant Professor at Emily Carr University of Art + Design\, where she organizes the On Edge reading series. Mercedes dreams and works towards a prison-free future. \n~~~ \nThis project has been made possible by the Government of Canada. Ce projet a été rendu possible grâce au gouvernement du Canada.
URL:https://www.readlocalbc.ca/event/empty-spaces-by-jordan-abel/
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Vancouver:20230927T190000
DTEND;TZID=America/Vancouver:20230927T210000
DTSTAMP:20260430T205216
CREATED:20230830T172416Z
LAST-MODIFIED:20230830T172416Z
UID:18193-1695841200-1695848400@www.readlocalbc.ca
SUMMARY:Launch of Hologram: an Homage to P.K. Page
DESCRIPTION:Join Munro’s Books for the launch of Hologram: an Homage to P.K. Page \nEditors Yvonne Blomer and D.C. Reid will host an evening of poetry with local poets John Barton\, Stephen T. Berg\, Barbara Black\, Wendy Donawa\, Beth Kope\, Dan MacIsaac\, Lynne Mustard\, Barbara Pelman\, Pamela Porter\, and Cynthia Woodman Kerkham in a poetic tribute to one of Canada’s most influential and celebrated poets. \nEdited by Yvonne Blomer and DC Reid\, and featuring pieces from renowned poets including John Barton\, Marilyn Bowering\, Lorna Crozier\, Eve Joseph\, Patrick Lane\, Alice Major\, kjmunro\, Patricia Young\, and many others\, Hologram is testament to the mentoring that P.K. Page offered through community and conversation\, as a living writer and through her poetry.
URL:https://www.readlocalbc.ca/event/launch-of-hologram-an-homage-to-p-k-page/
LOCATION:Munro’s Books\, 1108 Government Street\, Victoria\, BC\, V8W 1Y2\, Canada
CATEGORIES:Launch
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ORGANIZER;CN="Munro's Books":MAILTO:events@munrobooks.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Vancouver:20230926T183000
DTEND;TZID=America/Vancouver:20230926T183000
DTSTAMP:20260430T205216
CREATED:20230912T164821Z
LAST-MODIFIED:20230912T164821Z
UID:18459-1695753000-1695753000@www.readlocalbc.ca
SUMMARY:Foraging and Feasting in the Pacific Northwest: Lori Snyder and Robin Kort
DESCRIPTION:On Thursday\, September 28th at 6pm join Massy Arts\, Massy Books and TouchWood Editions for the launch of The Coastal Forager’s Cookbook by Chef Robin Kort. \nLearn how to connect with the flora and fauna in and around Vancouver through an inspired conversation between chef-author Robin Kort and herbalist Lori Snyder. \nThis project has been made possible by the Government of Canada. Ce projet a été rendu possible grâce au gouvernement du Canada. \nVenue & Accessibility \nThe event will be hosted at the Massy Arts Gallery\, at 23 East Pender Street in Chinatown\, Vancouver. \nRegistration is free and required for entrance. \nThe gallery is wheelchair accessible and a gender-neutral washroom is on-site. \nPlease refrain from wearing scents or heavy perfumes. \nFor more on accessibility including parking\, seating\, venue measurements and floor plan\, and how to request ASL interpretation please visit: massyarts.com/accessibility \nCovid Protocols: Masks keep our community safe and are mandatory (N95 masks are recommended as they offer the best protection). We ask if you are showing symptoms\, that you stay home. Thank you kindly. \nAbout the book \nThe Coastal Forager’s Cookbook showcases foraged ingredients like wild mushrooms\, seaweed\, fish and molluscs\, flowers and evergreen tips\, and brings them together in 40 recipes to inspire forays into tide and woods and a sense of adventure in the kitchen. Along the way Robin shares memories of her childhood on the West Coast and her world travels\, tips on plant identification\, and guidance on mindful\, sustainable foraging. \nAbout the author \nRobin Kort is a Pacific Northwest chef\, forager\, sommelier\, and owner of Swallow Tail Culinary Adventures. She harvests and cooks between the mountains and the ocean near Vancouver\, BC\, and has been featured on the Food Network\, ItteQ Japan\, the CBC\, the Huffington Post\, Conde Nast Traveller\, and in the Globe and Mail. \nAbout the moderator \nLori Snyder is an Indigenous Metis Herbalist and Educator. She works on co-creating insightful dialogues in community\, remediating and reconciling with our Indigenous plants as we reintroduce them into our urban landscapes. She also promotes access to local Indigenous foods and medicines\, which supports collective resilience and deep ecological healing for all species.
URL:https://www.readlocalbc.ca/event/foraging-and-feasting-in-the-pacific-northwest-lori-snyder-and-robin-kort/
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Vancouver:20230925T180000
DTEND;TZID=America/Vancouver:20230925T180000
DTSTAMP:20260430T205216
CREATED:20230912T164801Z
LAST-MODIFIED:20230912T164801Z
UID:18456-1695664800-1695664800@www.readlocalbc.ca
SUMMARY:Becoming Kin: Abolition\, Borders and Indigenous Futures
DESCRIPTION:On Monday\, September 25th at 6pm\, join Massy Arts\, Massy Books\, Broadleaf Books and Fernwood Publishing for Becoming Kin: Abolition\, Borders and Indigenous Futures: Patty Krawec and Harsha Walia in Conversation. \nJoin these two singular thinkers and friends in conversation on the most pressing issues of our times; unforgetting our histories of racist nationalism and forging relational\, abolitionist futures. \nVenue & Accessibility \nThe event will be hosted at the Massy Arts Gallery\, at 23 East Pender Street in Chinatown\, Vancouver. \nRegistration is free and required for entrance. \nThe gallery is wheelchair accessible and a gender-neutral washroom is on-site. Please refrain from wearing scents or heavy perfumes. \nFor more on accessibility including parking\, seating\, venue measurements and floor plan\, and how to request ASL interpretation please visit: massyarts.com/accessibility \nCovid Protocols: Masks keep our community safe and are mandatory (N95 masks are recommended as they offer the best protection). We ask if you are showing symptoms\, that you stay home. Thank you kindly. \nAbout the authors: \nPatty Krawec is a Anishinaabe/Ukrainian writer\, speaker\, and co-host of the Medicine for the Resistance podcast where she\, along along with her cohost and guests\, confront barriers and challenge settler narratives. She is the co-founder of the Nii’kinaaganaa Foundation. Find her online at daanis.ca \nHarsha Walia is a Punjabi writer and organizer who has been involved in migrant justice\, anti-capitalist\, feminist\, abolitionist\, and anti-imperialist movements for the past two decades. Her work is in the anti-violence sector serving survivors. She is also the award-winning author of Border and Rule: Global Migration\, Capitalism\, and the Rise of Racist Nationalism (2021) and Undoing Border Imperialism (2013)\, and co-author of Never Home: Legislating Discrimination in Canadian Immigration as well as Red Women Rising: Indigenous Women Survivors in Vancouver’s Downtown Eastside. \nAbout the books: \nBecoming Kin: An Indigenous Call to Unforgetting the Past and Reimagining Our Future (Broadleaf Books\, 2022) \nWe find our way forward by going back. \nThe invented history of the Western world is crumbling fast\, Anishinaabe writer Patty Krawec says\, but we can still honor the bonds between us. Settlers dominated and divided\, but Indigenous peoples won’t just send them all “home.” \nWeaving her own story with the story of her ancestors and with the broader themes of creation\, replacement\, and disappearance\, Krawec helps readers see settler colonialism through the eyes of an Indigenous writer. Settler colonialism tried to force us into one particular way of living\, but the old ways of kinship can help us imagine a different future. Krawec asks\, What would it look like to remember that we are all related? How might we become better relatives to the land\, to one another\, and to Indigenous movements for solidarity? Braiding together historical\, scientific\, and cultural analysis\, Indigenous ways of knowing\, and the vivid threads of communal memory\, Krawec crafts a stunning\, forceful call to “unforget” our history. \nThis remarkable sojourn through Native and settler history\, myth\, identity\, and spirituality helps us retrace our steps and pick up what was lost along the way: chances to honor rather than violate treaties\, to see the land as a relative rather than a resource\, and to unravel the history we have been taught. \nBorder and Rule: Global Migration\, Capitalism\, and the Rise of Racist Nationalism (Fernwood Publishing\, 2021) \nIn Border and Rule\, one of North America’s foremost thinkers and immigrant rights organizers delivers an unflinching examination of migration as a pillar of global governance and gendered racial class formation. \nHarsha Walia disrupts easy explanations for the migrant and refugee crises\, instead showing them to be the inevitable outcomes of conquest\, capitalist globalization\, and climate change generating mass dispossession worldwide. Border and Rule explores a number of seemingly disparate global geographies with shared logics of border rule that displace\, immobilize\, criminalize\, exploit\, and expel migrants and refugees. With her keen ability to connect the dots\, Walia demonstrates how borders divide the international working class and consolidate imperial\, capitalist\, ruling-class\, and racist nationalist rule. Ambitious in scope and internationalist in orientation\, Border and Rule breaks through American exceptionalism and liberal responses to the migration crisis and cogently maps the lucrative connections between state violence\, capitalism\, and right-wing nationalism around the world. \nIlluminating the brutal mechanics of state formation\, Walia exposes US border policy as a product of violent territorial expansion\, settler-colonialism\, enslavement\, and gendered racial exclusion. Further\, she compellingly details how Fortress Europe and White Australia are using immigration diplomacy and externalized borders to maintain a colonial present\, how temporary labor migration in the Arab Gulf states and Canada is central to citizenship regulation and labor control\, and how far-right nationalism is escalating deadly violence in the United States\, Israel\, India\, the Philippines\, Brazil\, and across Europe\, while producing a disaster of statelessness for millions elsewhere. \nA must-read in these difficult times of war\, inequality\, climate change\, and global health crisis\, Border and Rule is a clarion call for revolution. The book includes a foreword from renowned scholar Robin D. G. Kelley and an afterword from acclaimed activist-academic Nick Estes. \n____ \nThis project has been made possible by the Government of Canada. Ce projet a été rendu possible grâce au gouvernement du Canada.
URL:https://www.readlocalbc.ca/event/becoming-kin-abolition-borders-and-indigenous-futures/
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Vancouver:20230924T150000
DTEND;TZID=America/Vancouver:20230924T170000
DTSTAMP:20260430T205216
CREATED:20230912T164741Z
LAST-MODIFIED:20230912T164741Z
UID:18452-1695567600-1695574800@www.readlocalbc.ca
SUMMARY:Maybe a Whale by Kirsten Pendreigh with Illustrator Crystal Smith
DESCRIPTION:#KIDSBOOK On Sunday\, September 24th at 3pm\, join Massy Arts\, Massy Books and Groundwood Books for the launch of Maybe a Whale by Kirsten Pendreigh with illustrator Crystal Smith. \nWe’ll read from the book\, share the magic of whale sounds and nighttime camping on the West Coast and make some whale crafts together with insights into Crystal’s amazing illustrations! Cake and refreshments will be provided. Hope to see you there! \nThis project has been made possible by the Government of Canada. Ce projet a été rendu possible grâce au gouvernement du Canada. \nVenue & Accessibility \nThe event will be hosted at the Massy Arts Gallery\, at 23 East Pender Street in Chinatown\, Vancouver. \nRegistration is free and required for entrance. \nThe gallery is wheelchair accessible and a gender-neutral washroom is on-site. \nPlease refrain from wearing scents or heavy perfumes. \nFor more on accessibility including parking\, seating\, venue measurements and floor plan\, and how to request ASL interpretation please visit: massyarts.com/accessibility \nCovid Protocols: Masks keep our community safe and are mandatory (N95 masks are recommended as they offer the best protection). We ask if you are showing symptoms\, that you stay home. Thank you kindly. \nAbout the book \nMaybe A Whale (Groundwood Books\, 2023) \nAfter Grandpa dies\, a girl and her mother take the trip he had planned for her\, kayaking along the Pacific west coast to look for the whales that he loved. \nThe trip will do them good\, Mom says\, but the girl isn’t sure. How can that be true when Grandpa isn’t there? And how will they find a whale in all that water\, anyway? \nThere is so much to see as they paddle through white-tipped waves and calm coves: glowing moon jellies\, fluttering anemones and slippery seals. All the while\, the girl watches for whales. Could one be swimming beneath their kayak or along the shore of their camp? Are the whales even there? \nFinally\, in the dark of night\, they hear them — pushhhhhhhh\, pushhhhhhh — humpbacks breathing in the bay. \nIn this lyrical story\, luminously illustrated by Crystal Smith\, mom and daughter find the space to grieve Grandpa and reconnect with each other in the wild beauty of nature. And they come to realize that — perhaps like whales — those we’ve loved are always with us\, even if we don’t see them anymore. \nAbout the author \nKirsten Pendreigh is a poet and children’s author from Vancouver. Her children’s books celebrate our early instincts to care for the plants and creatures that share our planet. LUNA’S GREEN PET\, about a girl who raises a houseplant as a pet\, was a Quill & Quire Book of the Year. MAYBE A WHALE\, about a child discovering the healing power of nature on a kayak trip\, was a Junior Library Guild Gold Standard Selection. Kirsten’s first nonfiction for children\, WHEN A TREE FALLS\, comes out in 2025. Kirsten’s poems are found in Canadian literary magazines and anthologies including Best Canadian Poetry 2021. One of her poems will be riding the bus this fall as part of Poetry In Transit. \nAbout the illustrator \nCrystal illustrates the natural world to spark curiosity and wonder\, kindle concern\, and illuminate issues. She is the daughter of a lighthouse keeper and started life on a tiny island in the middle of the ocean\, where groceries were delivered by helicopter and trips to town meant riding with the Coast Guard. She’s still an island girl —just on a bigger island now— off the coast of BC Canada. \n​Crystal has a BFA in Visual Arts and works on fine art\, illustration projects for environmental groups and other clients\, and has another children’s book coming out from Groundwood Books 2024.
URL:https://www.readlocalbc.ca/event/maybe-a-whale-by-kirsten-pendreigh-with-illustrator-crystal-smith/
ATTACH;FMTTYPE=image/jpeg:https://www.readlocalbc.ca/wp-content/uploads/2023/09/https___cdn.evbuc_.com_images_579994969_462702708128_1_original-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Vancouver:20230924T103000
DTEND;TZID=America/Vancouver:20230924T123000
DTSTAMP:20260430T205216
CREATED:20230905T171605Z
LAST-MODIFIED:20230905T171605Z
UID:18254-1695551400-1695558600@www.readlocalbc.ca
SUMMARY:Fiction Writing Workshop with Patti Flather "Creating an Evocative Fictional World"
DESCRIPTION:A fully realized setting is a powerful element to bring your readers into the world of your story. Explore practical ways to create your setting\, using your imagination\, research\, observation skills\, and fresh original details. Capture the vivid landscape your characters journey through\, including and going beyond the physical to socio-political trends\, the cultural milieu\, inequalities\, and more. \nAbout Patti Flather \nAward-winning author Patti Flather\, originally from North Vancouver and now based in Whitehorse\, Yukon\, has an MFA in Creative Writing from UBC. Such A Lovely Afternoon is her first fiction collection; her plays including Paradise andSixty Below have been shared on stages across Canada and published. www.pattiflather.com \nBooks by the author will be available for purchase: \nSuch A Lovely Afternoon (fiction) $23\nParadise (play) $20\nPayment accepted: Cash\, personal cheque or e-transfer \nYou may register for one or both workshops in this series: \nDialogue that Leaps Off the Page – Saturday\, September\, 23 at 2:00pm \nCreating an Evocative Fictional World – Sunday\, September\, 24 at 10:30am \nRegistration required. Register online or call 604-987-4471\, ext. 8175.
URL:https://www.readlocalbc.ca/event/fiction-writing-workshop-with-patti-flather-creating-an-evocative-fictional-world/
LOCATION:North Vancouver Public Library – Capilano branch\, 3045 Highland Blvd.\, North Vancouver\, BC\, V7R 2X4\, Canada
CATEGORIES:Workshop
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ORGANIZER;CN="North Vancouver District Public Library":MAILTO:info@nvdpl.ca
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Vancouver:20230923T183000
DTEND;TZID=America/Vancouver:20230923T183000
DTSTAMP:20260430T205216
CREATED:20230912T164504Z
LAST-MODIFIED:20230912T164504Z
UID:18431-1695493800-1695493800@www.readlocalbc.ca
SUMMARY:Drug Tales: An Evening of Storytelling and Open Mic
DESCRIPTION:Join Canadian Students for Sensible Drug Policy and Get Sensible for a fascinating conversation with Caitlin Donohue\, author of Weed: Cannabis Culture in the Americas and Dr. Emily Jenkins in an enlightening conversation about weed and its impacts on young people. \nFollowing the conversation\, Healthcliff (Heath D’Alessio) from Get Sensible will facilitate an open mic\, Drug Tales\, where folks can share their drug related stories. This will be an opportunity for audience members to come up on stage and share a story of their own. We recognize the stigma surrounding substance use\, and know that healing can come through sharing our experiences. In order to build better drug policies\, hearing stories from the community is essential. \nThis event is held at Massy Arts Society and food and beverages will be provided! The event starts at 6:30pm. This is a by-donation event (PWYC)\, with the suggested amount starting at $10. However\, no one will be turned away for lack of funds. \nAbout Caitlin \nCaitlin has been writing about marijuana for a decade. She started with her weekly column Herbwise at the San Francisco Bay Guardian alt weekly\, when now-legal California dispensaries’ battled with the federal government. She interviews figures from Mexico’s drug politics and culture every Monday for her Spanish language radio show Crónica. She has been a regular contributor to High Times and Snoop Dogg’s cannabis news website MERRYJANE. She sees cannabis as a way of understanding societal structures\, from international borders to health and wellness. \nIn Weed: Cannabis Culture in the Americas\, culture writer Caitlin Donohue crafts a comprehensive and thought-provoking review of cannabis in the Western Hemisphere. Donohue’s investigation spans from Vancouver\, Canada\, to Buenos Aires\, Argentina\, interviewing medical researchers\, educators\, activists\, artists\, business leaders\, and other experts to explore the long relationship between cannabis and the human race\, its almost universal prohibition in the twentieth century\, and modern efforts to legalize the much-maligned plant in all its forms. \nhttps://www.donohue.work/aboutcat \nAbout Emily \nDr. Emily Jenkins\, brings extensive clinical and research expertise from acute and community mental health and substance use settings. \nHer clinical training and experience informs her program of research\, which aims to enhance mental health outcomes and reduce substance use harms for Canadians through mental health promotion strategies and health services and policy redesign. She is recognized as a leader in the youth mental health and substance use field and has established policy\, practice and media channels that support knowledge mobilization and research impact. \nAbout Heathcliff \nHeathcliff is a people person who loves drugs\, which is why they’re thrilled to be hosting this Vancouver edition of Drug Tales! A performing artist\, facilitator\, community educator\, and all around pretty nice guy\, they’re passionate about harm reduction and storytelling and love facilitating safe spaces to talk about taboo subjects and bond over shared experiences while sharing knowledge and learning from each other \nExcited to see you there!
URL:https://www.readlocalbc.ca/event/drug-tales-an-evening-of-storytelling-and-open-mic/
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Vancouver:20230923T140000
DTEND;TZID=America/Vancouver:20230923T153000
DTSTAMP:20260430T205216
CREATED:20230830T190234Z
LAST-MODIFIED:20230830T190234Z
UID:18251-1695477600-1695483000@www.readlocalbc.ca
SUMMARY:Fiction Writing Workshop with Patti Flather “Dialogue that Leaps Off the Page”
DESCRIPTION:Bring your characters to life through dialogue. Discover their unique voices. Create compelling conversations that advance your story while revealing character. Whether you’re writing fiction\, plays or screenplays\, this workshop offers useful guidelines\, practical examples and writing exercises to help make your characters distinct and memorable and your scenes sizzle. \nAbout Patti Flather \nAward-winning author Patti Flather\, originally from North Vancouver and now based in Whitehorse\, Yukon\, has an MFA in Creative Writing from UBC. Such A Lovely Afternoon is her first fiction collection; her plays including Paradise andSixty Below have been shared on stages across Canada and published. www.pattiflather.com \nBooks by the author will be available for purchase: \nSuch A Lovely Afternoon (fiction) $23\nParadise (play) $20\nPayment accepted: Cash\, personal cheque or e-transfer \nYou may register for one or both workshops in this series: \nDialogue that Leaps Off the Page – Saturday\, September\, 23 at 2:00pm \nCreating an Evocative Fictional World – Sunday\, September\, 24 at 10:30am \nRegistration required. Register online or call 604-987-4471\, ext. 8175.
URL:https://www.readlocalbc.ca/event/fiction-writing-workshop-with-patti-flather-dialogue-that-leaps-off-the-page/
LOCATION:North Vancouver Public Library – Capilano branch\, 3045 Highland Blvd.\, North Vancouver\, BC\, V7R 2X4\, Canada
CATEGORIES:Workshop
ATTACH;FMTTYPE=image/jpeg:https://www.readlocalbc.ca/wp-content/uploads/2023/08/patti-flather.jpg
ORGANIZER;CN="North Vancouver District Public Library":MAILTO:info@nvdpl.ca
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Vancouver:20230921T180000
DTEND;TZID=America/Vancouver:20230921T180000
DTSTAMP:20260430T205216
CREATED:20230912T164706Z
LAST-MODIFIED:20230912T164706Z
UID:18444-1695319200-1695319200@www.readlocalbc.ca
SUMMARY:Halina! Kadto kamo! Sung na! - Celebrating Our Languages
DESCRIPTION:* The following words mean “Let’s go!” or “Come on!” – “Halina!” (Tagalog – halika + na); “Kadto kamo!” (Hiligaynon); “Sung na!” (Sinug). \nHalina at magsama-sama tayo para ipagdiwang ang ating mga wika! Dali kamo mag inistoryahanay kita! Agtitimpuyog ken agkaykaysa tayo nga mangrambak ti nadumaduma nga kultura! \nLet our languages come alive\, be heard\, and echo through the room! This event highlights the diversity of our languages\, with more than 150 languages hailing from the islands of the Philippines. \nTake the stage to read a captivating poem\, a mesmerizing story\, or sing a heartwarming song in any of the languages from the Philippines. Whether it’s your own creation or a piece by your favourite Filipina/x/o writer\, we encourage you to share the magic of our linguistic heritage. Don’t forget to provide credit to the original writer of the piece you choose\, or to let us know if it is an original creation. \nPerformers \nOnly 12 slots available for performers — secure your spot today! https://forms.gle/JusQjm1ryiEThAUK9 We will have a couple of spots available for sign up in person. Please note that we will be exclusively featuring performers who are Pinxy/Pinay/Pinoy or mixed race Pinxy/Pinay/Pinoy. \nRegister now \nWhile everyone is welcome\, we prioritize Pinxy/a/o attendees\, or that you have been invited to join by a Pinxy/a/o person. \nAdmission is free\, but please register in advance to help us manage the event smoothly. We can admit approximately 30 people. Snacks and refreshments will be available. \nKamaya’ daran! Pag-amping! \nThis event is presented by NPC3\, the National Pilipino Canadian Cultural Centre\, a registered non-profit society. \nAccessibility considerations \nThis event and venue requires attendees to wear a face mask as an extra precaution against COVID-19. Please bring your own mask\, or we can provide you one onsite. \nMassy Arts Gallery is accessible to folks who use wheelchairs\, mobility scooters\, and strollers. For detailed information about venue accessibility\, visit https://massyarts.com/accessibility/. \nStatement of solidarity\, and resistance \nIt is incredible that while we take pride that many languages remain alive and well-used across the islands of the Philippines despite colonization\, we also mourn the loss and the threats of losing many languages and their communicators as Indigenous and other ethnic groups continue to be displaced\, targeted for defending their lands\, and neglected in the Philippines. By highlighting the languages available and staying away from the framing of minimizing certain languages to “dialects”) \nwe are able to keep cultures alive and encourage pride in diversity. Staying connected to our languages is one of the privileges we have\, while also recognizing that languages and cultural knowledge were one of the colonial tactics used by Canada to oppress and subjugate Indigenous peoples on their lands. Speaking our languages while on stolen lands is one way we can resist global colonial projects\, sending a message that no matter where we are due to colonization and ongoing imperialism\, we will keep practicing our cultures and keep our ancestors’ ways of knowing and living alive. \nWe are on the ancestral\, unceded\, and stolen territories of the xʷməθkʷəy̓əm (Musqueam)\, Sḵwx̱wú7mesh (Squamish)\, and Sel̓íl̓witulh (Tsleil-Waututh) Nations\, and we are in solidarity with them and all Indigenous and oppressed peoples across the world to resist against white supremacy\, capitalism\, the patriarchy\, caste oppression and their products such as ableism\, transphobia\, homophobia\, classism\, and more. \nShare this campaign
URL:https://www.readlocalbc.ca/event/halina-kadto-kamo-sung-na-celebrating-our-languages/
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Vancouver:20230920T190000
DTEND;TZID=America/Vancouver:20230920T190000
DTSTAMP:20260430T205216
CREATED:20230912T164526Z
LAST-MODIFIED:20230912T164526Z
UID:18439-1695236400-1695236400@www.readlocalbc.ca
SUMMARY:Race Memory Data
DESCRIPTION:At Simon Fraser University\, we live and work on the unceded traditional territories of the xʷməθkʷəy̓əm (Musqueam)\, Sḵwx̱wú7mesh Úxwumixw (Squamish)\, səl̓ilw̓ətaʔɬ (Tsleil-Waututh)\, q̓íc̓əy̓ (Katzie)\, kʷikʷəƛ̓əm (Kwikwetlem)\, Qayqayt\, Kwantlen\, Semiahmoo and Tsawwassen peoples. \nJoin artist Henry Tsang\, historian Jack (John Kuo Wei) Tchen\, urban planner Andy Yan as they talk about their approach to the use of data and archives to counter master narratives that have defined and restricted conversations around race and memory. Moderated by Melissa Karmen Lee\, CEO of the Chinese Canadian Museum\, they will also discuss and reflect on Henry Tsang’s recent book\, WHITE RIOT: The 1907 Anti-Asian Riots in Vancouver\, based on the 360 video walking tour\, 360 Riot Walk\, which reveals the yet unresolved histories of racialized communities targeted through legislation as well as physical acts of exclusion and violence. \nThe talk will be followed by a reception where book sales and signing will take place. Books will be available for purchase via debit or credit\, no cash purchase will be available. \nThis event is presented by SFU’s Vancity Office of Community Engagement\, Emily Carr University of Art + Design\, SFU’s City Program\, Arsenal Pulp Press\, and Massy Books. \nPanelists\nJack (John Kuo Wei) Tchen is a historian\, curator\, dumpster-diver\, and teacher surfacing the disappeared stories othered by systems of power and wealth. Dr. Tchen is the Clement A. Price Professor of Public History & Humanities and Director of the Price Institute on Ethnicity\, Cultures\, and the Modern Experience at Rutgers University – Newark. His ten-years of work on anti-Asian xenophobia\, a two-hour PBS documentary on the “Chinese Exclusion Act\,” and exhibition at the New-York Historical Society led him to focus on intersectional history of American eugenics. He has been working with the Munsee Lunaape Elders and honoring enslaved in the region by documenting\, sharing\, and decolonizing the history of Newark and the larger bioregion. He is the founding director of the A/P/A (Asian/Pacific/American) Studies Program and Institute at New York University\, NYU. In 1980\, he co-founded the New York Chinatown History project\, now the Museum of Chinese in America with Charles Lai. \nAndy Yan is the director of The City Program at Simon Fraser University where he is an adjunct professor of Urban Studies. Prior to his SFU appointment\, Andy has worked extensively in the non-profit and private urban planning sectors with projects in the metropolitan regions of Vancouver\, San Francisco\, New York City\, Los Angeles and New Orleans. Andy holds a Masters of Urban Planning from the University of California – Los Angeles and a Bachelor of Arts with First Class Honours distinctions in Geography and Political Science from Simon Fraser University. \nHenry Tsang is an artist and occasional curator who explores the spatial politics of history\, cultural translation\, community-building\, the mobility of people\, capital\, values\, desires\, and food in relationship to place. His recent book\, WHITE RIOT: The 1907 Anti-Asian Riots in Vancouver (Arsenal Pulp Press\, 2023)\, explores the conditions leading up to and the impact of a demonstration and parade in Vancouver\, Canada\, organized by the Asiatic Exclusion League and the ensuing mob attack on the city’s Chinese Canadian and Japanese Canadian communities. \nHis art projects employ video\, photography\, interactive media\, convivial events\, and language\, in particular\, Chinook Jargon\, the North American west coast trade language. Presentations take the form of gallery exhibitions\, pop-up street food offerings\, 360 video walking tours\, curated dinners\, ephemeral and permanent public art. Henry is a past recipient of the VIVA Award and is an Associate Dean at Emily Carr University of Art and Design. \nModerator\nDr. Melissa Karmen Lee (Ph.D) 李林嘉敏 is a visual arts and literature scholar\, curator\, archivist and storyteller with research interests in public art and social engagement. She currently holds the appointment of Chief Executive Officer (CEO) at the Chinese Canadian Museum\, in British Columbia\, Vancouver. From 2019-2022\, she was the Director of Education and Public Programs at the Vancouver Art Gallery. From 2016-2019 she was the education and public programs curator for Tai Kwun Centre for Heritage and Art. She holds degrees from McGill\, Canterbury and Lancaster Universities. \nFor purposes of documentation this event may be photographed\, audio recorded\, and/or filmed. By attending this event\, you consent to such recording media and its release\, publication\, exhibition or reproduction. \nCOVID-19 Safety: \nMasks are encouraged on our campuses\, particularly in spaces where people are in close proximity. Masks are not mandatory. \nFurther information on SFU’s Return to Campus policy can be found here.
URL:https://www.readlocalbc.ca/event/race-memory-data/
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Vancouver:20230917T133000
DTEND;TZID=America/Vancouver:20230917T160000
DTSTAMP:20260430T205216
CREATED:20230830T172323Z
LAST-MODIFIED:20230830T172323Z
UID:18187-1694957400-1694966400@www.readlocalbc.ca
SUMMARY:Every Child Matters Book Launch with Phyllis Webstad
DESCRIPTION:Listen to Phyllis Webstad share her journey to reconciliation after attending Residential School and what Every Child Matters truly means.\nJoin Phyllis Webstad\, founder of Orange Shirt Day\, at the Songhees Wellness Centre for a powerful and intimate discussion about her time at Residential School. In her talks\, Phyllis shares her personal experiences of attending Residential School when she was just six years old and how the nuns took her shiny new orange shirt her granny had gifted her.\nPhyllis’s brave and compelling voice has brought attention to the need for education\, empathy\, and understanding about the mistreatment of Indigenous Peoples in Canada\, while fostering important conversation about the ongoing efforts to address historical and generational trauma\, and work toward a more inclusive and equitable future for Survivors\, families and Indigenous communities.\nWith her new book Every Child Matters being released in August 2023\, Phyllis talks about what Every Child Matters truly means and what wearing the Orange Shirt truly represents.\nThere will be dancers\, singers and drummers performing along with an opening prayer by Butch Dick!\nTickets are only $10.00 and all profits of ticket sales will go to the Orange Shirt Society.\nHandicap Parking Available\nA local bookstore will be present selling all of Phyllis’s books.
URL:https://www.readlocalbc.ca/event/every-child-matters-book-launch-with-phyllis-webstad/
LOCATION:Songhees Wellness Centre\, 1100 Admirals Rd\, Victoria\, British Columbia\, V9A 2P6\, Canada
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Vancouver:20230916T140000
DTEND;TZID=America/Vancouver:20230916T170000
DTSTAMP:20260430T205216
CREATED:20230912T164317Z
LAST-MODIFIED:20230912T164317Z
UID:18426-1694872800-1694883600@www.readlocalbc.ca
SUMMARY:Closing Reception / Kyla Gilbert + Otilia Sabina + Nico McGiffin
DESCRIPTION:On Saturday\, September 16th from 2-4pm\, join Massy Arts\, and Vancouver-based artists Kyla Gilbert + Otilia Sabina + Nico McGiffin for the closing reception of our current exhibitions: Here I am\, in the in-between\, and Blue-Collar Sex Kitten. \nAt the event\, artists will meet audiences in-person to talk about their creative practice\, the show’s themes + aesthetics\, and the process of creating in the in-between. \nThis project is supported by the Community Arts Council of Vancouver + First Peoples’ Cultural Council. \nVenue & Accessibility \nThe event will be hosted at the Massy Arts Gallery\, at 23 East Pender Street in Chinatown\, Vancouver. \nRegistration is free\, open to all and required for entrance. \nThe gallery is wheelchair accessible and a gender-neutral washroom is on-site. Please refrain from wearing scents or heavy perfumes. \nFor more on accessibility including parking\, seating\, venue measurements and floor plan\, visit: massyarts.com/accessibility \nCovid Protocols: Masks keep our community safe and are mandatory (N95 masks are recommended as they offer the best protection). We ask if you are showing symptoms\, that you stay home. Thank you kindly. \nThe Artists \nKyla Gilbert is a visual artist based out of Vancouver BC on the unceded territory of the xʷməθkʷəy̓əm (Musqueam)\, Sḵwx̱wú7mesh (Squamish)\, and səlilwətaɬ (Tsleil-Waututh) Nations. She graduated with a BFA in performance from Concordia University in 2017 and spent the two subsequent years touring as a puppeteer with DJ Kid Koala. Her current practice revolves around intuitive encounter with materials. As a former puppeteer and performer\, she approaches her process as a site for improvisation that results in the creation of objects full of discrepancy\, juxtaposition\, awkwardness\, and joy. Kyla completed my MFA in Studio Art from Emily Carr University in spring of 2022. \nOtilia Sabina (she/her) is an interdisciplinary visual artist and designer born in Bucharest\, Romania and raised on the unceded\, ancestral\, and occupied\, traditional lands of the xʷməθkʷəy̓əm\, Skwxwú7mesh and Səl̓ílwətaʔ Nations of the Coast Salish peoples\, also known as Vancouver. She holds a BFA from Emily Carr University of Art + Design (2013). Otilia Sabina’s collage work re-contextualizes images and digital media to create new visual artifacts inspired by stories from both my life before and after immigrating to Canada. \nNico McGiffin (b.2002) is a non-binary\, queer assemblage sculptor investigating the ways in which found and fabricated objects work to bridge the gap between butch-queer identities and highly macho cis-masculinity. They are based in “Vancouver BC” on the unceded traditional territories of the xwməθkwəy̓ əm (Musqueam)\, Sḵwx̱ wú7mesh (Squamish)\, and səlilwətaɬ (Tsleil- Waututh) Nations\, where they are completing their BFA in Sculpture + Expanded Practices at Emily Carr University of Art + Design.
URL:https://www.readlocalbc.ca/event/closing-reception-kyla-gilbert-otilia-sabina-nico-mcgiffin/
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Vancouver:20230916T123000
DTEND;TZID=America/Vancouver:20230916T140000
DTSTAMP:20260430T205216
CREATED:20230814T191020Z
LAST-MODIFIED:20230814T191020Z
UID:18060-1694867400-1694872800@www.readlocalbc.ca
SUMMARY:Poetry Bus! Celebrating the 27th Year of Poetry in Transit
DESCRIPTION:In partnership with TransLink and BC Transit\, Read Local BC presents the launch of this year’s Poetry In Transit campaign at Word Vancouver. Now celebrating its 27th year\, this beloved community-engagement project displays the work of ten BC poets on public transit vehicles throughout the province. Join us to hear a selection of the featured 2023-24 poets read from their work\, followed by a short discussion and Q&A in which you can engage with the poets over your love of the written verse! Hosted by Evelyn Lau. \nReaders:\nSusan Braley – Tilling the Darkness (Caitlin Press & Dagger Editions)\nP.W. Bridgman – At the Bakery After the Pathology Report Arrives (Ekstasis Editions)\nEdward Byrne – Tracery (Talonbooks)\nMegan Fennya Jones – The Program (Goose Lane Editions)\nMark Leiren-Young – Big Sharks\, Small World (Orca Book Publishers)\nEmily Osborne – Safety Razor (Gordon Hill Press)\nKirsten Pendreigh – Best Canadian Poetry 2021 (Biblioasis)\nIan Thomas – Green Islands: Poems from the Great Bear Rainforest (Rainbow Publishers & Raven Chapbooks)
URL:https://www.readlocalbc.ca/event/poetry-bus-celebrating-the-27th-year-of-poetry-in-transit/
LOCATION:UBC Robson Square\, 800 Robson St\, Vancouver\, BC\, V6E 1A7\, Canada
CATEGORIES:Festival,Launch,Meet & Greet,Panel
ATTACH;FMTTYPE=image/png:https://www.readlocalbc.ca/wp-content/uploads/2023/08/PoetryinTransit-WordVan-landscape-1.png
ORGANIZER;CN="Word Vancouver":MAILTO:blnish_pandoras@yahoo.ca
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230916
DTEND;VALUE=DATE:20230919
DTSTAMP:20260430T205216
CREATED:20230823T220525Z
LAST-MODIFIED:20230823T220525Z
UID:18070-1694829600-1695002399@www.readlocalbc.ca
SUMMARY:Write on Bowen Festival for Readers & Writers
DESCRIPTION:This annual festival brings together readers and writers and all lovers of the spoken and written word. We gather on idyllic Bowen Island to spend two days engaged in stimulating writing workshops\, facilitated by professional writers\, authors\, poets\, screenwriters and others. We feature special events including author readings\, panel discussions and other activities.
URL:https://www.readlocalbc.ca/event/write-on-bowen-festival-for-readers-writers/
LOCATION:Bowen Island Public Library\, 430 Bowen Island Trunk Rd\, Bowen Island\, BC\, V0N 1G0\, Canada
CATEGORIES:Festival,Meet & Greet,Workshop
ATTACH;FMTTYPE=image/jpeg:https://www.readlocalbc.ca/wp-content/uploads/2023/08/WOB-Logo-01.jpg
ORGANIZER;CN="Write on Bowen Festival Society":MAILTO:info@writeonbowen.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Vancouver:20230915T180000
DTEND;TZID=America/Vancouver:20230915T180000
DTSTAMP:20260430T205216
CREATED:20230912T164240Z
LAST-MODIFIED:20230912T164240Z
UID:18421-1694800800-1694800800@www.readlocalbc.ca
SUMMARY:The Family Code by Wayne Ng + Discussion with Wiley Wei-Chiun Ho
DESCRIPTION:On Friday\, September 15th at 6pm\, join Massy Arts\, Massy Books and Guernica Editions in celebrating the Vancouver launch of Wayne Ng’s The Family Code. \nWayne Ng talks with Wiley Wei-Chiun Ho about his new book\, The Family Code\, his first work not featuring an Asian protagonist. They will discuss both straying from and remaining within the lane of immigrant tropes. \nThis project has been made possible by the Government of Canada. Ce projet a été rendu possible grâce au gouvernement du Canada. \nVenue & Accessibility \nThe event will be hosted at the Massy Arts Gallery\, at 23 East Pender Street in Chinatown\, Vancouver. \nRegistration is free and required for entrance. \nThe gallery is wheelchair accessible and a gender-neutral washroom is on-site. \nPlease refrain from wearing scents or heavy perfumes. \nFor more on accessibility including parking\, seating\, venue measurements and floor plan\, and how to request ASL interpretation please visit: massyarts.com/accessibility \nCovid Protocols: Masks keep our community safe and are mandatory (N95 masks are recommended as they offer the best protection). We ask if you are showing symptoms\, that you stay home. Thank you kindly. \nAbout the book: \nThe Family Code by Wayne Ng \nEvery family has rituals and routines holding them together. But sometimes they are the very things that tear them apart. The Family Code is a gritty family drama featuring the troubled life of Hannah Belenko\, a young single mother dogged by the brutality of past traumas and a code of silence that she must crack in order to be free—or else lose everything. Hannah was raised by this code and rules her own family by it. When she loses her daughter to the state and her boyfriend threatens her\, she flees from Ottawa to Halifax with her remaining son\, six-year-old Axel. While she bulldozes her way through everything and schemes to protect him\, Axel flounders in the chaos. He begins to doubt his mother and her dream of a way out. With her life crashing down\, Hannah is driven by desperation to survive yet hangs on to elusive hope. With unvarnished and high-voltage prose\, The Family Code unabashedly reveals the power and perils of parenting\, but also the longing and vulnerability of children. \nAbout the author \nWayne Ng was born in downtown Toronto to Chinese immigrants who fed him a steady diet of bitter melons and kung fu movies. Ng works as a school social worker in Ottawa but lives to write\, travel\, eat and play\, preferably all at the same time. He is an award-winning author and traveler who continues to push his boundaries from the Arctic to the Antarctic. His previous books are Letters From Johnny\, which won Best Crime Novella at the Crime Writers of Canada Excellence Awards\, and Finding The Way: A Novel of Lao Tzu. Connect with Wayne at WayneNgWrites.com \nAbout the host \nWiley Wei-Chiun Ho is a freelance technical writer\, blogger and creative non-fiction writer. Her short stories and personal essays have won awards and been published in the literary journals PRISM international\, Ricepaper\, River Teeth\, and Room. Wiley is in the throes of completing her first book\, a memoir about growing up with parents overseas\, in a Taiwanese-Canadian “astronaut” family.
URL:https://www.readlocalbc.ca/event/the-family-code-by-wayne-ng-discussion-with-wiley-wei-chiun-ho/
ATTACH;FMTTYPE=image/jpeg:https://www.readlocalbc.ca/wp-content/uploads/2023/09/https___cdn.evbuc_.com_images_571130609_462702708128_1_original.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Vancouver:20230914T180000
DTEND;TZID=America/Vancouver:20230914T180000
DTSTAMP:20260430T205216
CREATED:20230912T164206Z
LAST-MODIFIED:20230912T164206Z
UID:18414-1694714400-1694714400@www.readlocalbc.ca
SUMMARY:Erosion: The Inte/ruption of Home
DESCRIPTION:On Thursday\, Sept. 14th at 6pm\, join Massy Arts\, Massy Books\, Caitlin Press\, Mother Tongue Publishing\, and Raven Books in celebrating the work of Adrienne Fitzpatrick\, Daniela Elza\, and Ian Thomas. \nErosion encompasses the environmental impacts on home\, as well as the emotional and spiritual. Erosion can be subtle\, not even noticeable and then suddenly devastating. Inte/ruption disrupts the flow\, alluding to the breaking apart of the narrative of home. \nThis project has been made possible by the Government of Canada. Ce projet a été rendu possible grâce au gouvernement du Canada. \nVenue & Accessibility \nThe event will be hosted at the Massy Arts Gallery\, at 23 East Pender Street in Chinatown\, Vancouver. \nRegistration is free and required for entrance. \nThe gallery is wheelchair accessible and a gender-neutral washroom is on-site. Please refrain from wearing scents or heavy perfumes. \nFor more on accessibility including parking\, seating\, venue measurements and floor plan\, and how to request ASL interpretation please visit: massyarts.com/accessibility \nCovid Protocols: Masks keep our community safe and are mandatory (N95 masks are recommended as they offer the best protection). We ask if you are showing symptoms\, that you stay home. Thank you kindly. \nAbout the books: \nInstructions for a Flood by Adrienne Fitzpatrick \nIn Instructions for a Flood: Reflections on Story\, Geography and Connection\, a spare\, powerful book\, Adrienne Fitzpatrick writes with eloquence and raw honesty about the land that defines her. Taking us to the rivers and lakes that are an integral part of her personal history\, she shows us the power and metaphor of water – it’s lurking dangers\, how it gives and takes life\, what it carries when it floods\, what it leaves behind. In stories about her formative years in the ‘rough beauty’ of central and northern BC\, and later working with First Nations on the contentious issues of extractive industry\, she reveals how humans – and water – have impacted these territories and their ancient cultures. \nthe broken boat by daniela elza \nIn her fourth book of poetry\, daniela elza deftly builds a raft of questions to stay afloat amidst the breakage of things. The end of a twenty-year marriage mirrors subtler fragmentations in our world. How to survive this loss of meaning\, this “wintering through”? The intricacies of light\, nature\, water\, absences glint through grief to astonish and lift the heart into understanding again; transforming and coupling the deeper self with the soulful eros/ions of our world. \nGreen Islands by Ian Thomas \nWritten in the unceded territory of the Haíɫzaqv (Heiltsuk) First Nation\, this collection of poems focuses on the landscapes and wildlife of BC’s Great Bear Rainforest. These poems explore the ecology of the coastal rainforest and how its living creatures\, bears\, wolves\, whales\, birds\, and salmon\, shape their world and are shaped by it. Green Islands celebrates the complexity\, beauty\, and mystery of the non-human world. \nAbout the authors: \nAdrienne Fitzpatrick grew up in the north and returned to complete her Masters in English at the University of Northern British Columbia; her creative thesis won the John Harris Prize for the best in Northern Fiction. Her fiction and poetry have appeared in Prairie Fire\, CV2\, subTerrain\, The New Quarterly and Thimbleberry. Her art reviews have appeared in Border Crossings\, C Magazine and Canadian Art and book reviews in the BC Review. She explores the phenomenological experience of place in her work and her first book\, The Earth Remembers Everything is based on her experiences travelling to massacre sites in Europe\, Asia\, the Central Interior and Northwest Coast of BC; it was also short-listed for the 2014 George Ryga Award for Social Awareness in Literature. Instructions for a Flood\, based on her experiences of living and working with Indigenous Nations in the Central Interior and Northwest of BC\, is published in the Spring of 2023 by Caitlin Press. \nDaniela Elza lived on three continents before immigrating to Canada in 1999. Her latest poetry collections are the broken boat (2020) and slow erosions (2020). In 2021\, she became a founding member of the Place Mattering Matters Collective and has been actively involved in preserving the affordable housing in her community in Vancouver\, located on the unceded territories of the xʷməθkʷəy̓əm (Musqueam)\, Sḵwx̱wú7mesh (Squamish)\, and səlilwətaɬ (Tsleil-Waututh) Nations. She is also working on a manuscript on the topic. \nIan Thomas\, born in Vancouver\, is a biologist and poet with a lifelong passion for the ecosystems and wildlife of the BC coast. He currently works for the Ancient Forest Alliance\, a non-profit that works to protect BC’s endangered old- growth forests. Green Islands is his first published book.
URL:https://www.readlocalbc.ca/event/erosion-the-inte-ruption-of-home/
ATTACH;FMTTYPE=image/jpeg:https://www.readlocalbc.ca/wp-content/uploads/2023/09/https___cdn.evbuc_.com_images_570500059_462702708128_1_original.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Vancouver:20230913T190000
DTEND;TZID=America/Vancouver:20230913T210000
DTSTAMP:20260430T205216
CREATED:20230823T220900Z
LAST-MODIFIED:20230823T220900Z
UID:18102-1694631600-1694638800@www.readlocalbc.ca
SUMMARY:Book Launch: Lorna Crozier and M.A.C. Farrant
DESCRIPTION:Join Munro’s Books in celebrating the newest releases from two incredibly talented local authors! \nLorna Crozier’s After That is a book written from the dark hollow we fall into when we lose those we love. Lorna’s sure poetry engages with the grief that comes from the death of her partner\, the writer Patrick Lane\, with whom she’d lived for forty years\, many of them tumultuous. With grace and precision\, she illuminates sorrow. M.A.C Farrant’s Jigsaw comprises ninety-three literary puzzle pieces that mimic the actual practice of assembling a jigsaw puzzle. By turns whimsical\, insightful\, meditative\, funny\, and factual\, the “pieces” of Jigsaw touch on several themes readers of Farrant have encountered before: existence\, love\, joy\, science\, history\, aging\, roads\, and Buddhism – as well as our universal love of jigsaw puzzles.
URL:https://www.readlocalbc.ca/event/book-launch-lorna-crozier-and-m-a-c-farrant/
LOCATION:Munro’s Books\, 1108 Government Street\, Victoria\, BC\, V8W 1Y2\, Canada
CATEGORIES:Launch
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ORGANIZER;CN="Munro's Books":MAILTO:events@munrobooks.com
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230911
DTEND;VALUE=DATE:20230919
DTSTAMP:20260430T205216
CREATED:20230222T212310Z
LAST-MODIFIED:20230622T172312Z
UID:15547-1694397600-1695002399@www.readlocalbc.ca
SUMMARY:Elephant Mountain Lit Fest
DESCRIPTION:Elephant Mountain Lit Fest will be sparking literary flames in Nelson\, BC from September 11 – 17\, 2023. We are a festival with events for both readers and writers\, with workshops\, readings\, panels\, blue pencil sessions and more. \nLearn more here.
URL:https://www.readlocalbc.ca/event/elephant-mountain-lit-fest/
CATEGORIES:Festival
ATTACH;FMTTYPE=image/jpeg:https://www.readlocalbc.ca/wp-content/uploads/2023/02/Untitled-design-3.jpg
ORGANIZER;CN="Elephant Mountain Lit":MAILTO:elephantmountainliteraryfest@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Vancouver:20230910T150000
DTEND;TZID=America/Vancouver:20230910T170000
DTSTAMP:20260430T205216
CREATED:20230905T171446Z
LAST-MODIFIED:20230905T171446Z
UID:18270-1694358000-1694365200@www.readlocalbc.ca
SUMMARY:Dead Poets Reading Series
DESCRIPTION:Join Massy Arts Society on Sunday\, September 10th at 3pm for the next Dead Poets Reading Series\, as deep threads of connection and solidarity are drawn between local\, contemporary poets and a diverse array of poets from the past. \nWe welcome you to an afternoon reflection and celebration\, as poetic conversation and recitation travel through time. \nRegistration is free/by donation\, open to all and required for entrance. \nVenue & Accessibility \nThe event will be hosted at the Massy Arts Gallery\, at 23 East Pender Street in Chinatown\, Vancouver. \nThe gallery is wheelchair accessible and a gender-neutral washroom is on-site. Please refrain from wearing scents or heavy perfumes. \nFor more on accessibility including parking\, seating\, venue measurements and floor plan\, and how to request ASL interpretation please visit: massyarts.com/accessibility \nCovid Protocols: Masks keep our community safe and are mandatory (N95 masks are recommended as they offer the best protection). We ask if you are showing symptoms\, that you stay home. Thank you kindly. \nFeatured readers and poets include: \nNatalie Lim reading Jason Shinder \nNatalie Lim is a Chinese-Canadian poet living on the unceded\, traditional territories of the Musqueam\, Squamish\, and Tsleil-Waututh Peoples (Vancouver\, B.C.). She is the winner of the 2018 CBC Poetry Prize and Room Magazine’s 2020 Emerging Writer Award\, with work published in Arc Poetry Magazine\, Best Canadian Poetry 2020\, and elsewhere. Her debut chapbook\, arrhythmia\, was published in 2022 by Rahila’s Ghost Press. \nJason Shinder (1955–2008) was an American poet who authored three books and founded the YMCA National Writer’s Voice\, a network of independent literary arts centers at YMCAs across the U.S. The network is dedicated to giving voice to people through accessible\, quality-based\, community-driven\, innovative literary arts programming and is currently the U.S.’s largest network of literary arts centers. \nAlongside his three books of poetry\, Shinder also edited numerous anthologies\, served as director of the Sundance Institute Writing Program\, and was a Poet Laureate of Provincetown. \nShinder passed away in 2008 from non-Hodgkin’s lymphoma and leukemia. His final book\, Stupid Hope\, was published posthumously. \nKim Trainor reading Nadia Anjuman \nKim Trainor is the granddaughter of an Irish banjo player and a Polish faller who worked in logging camps around Port Alberni in the 1930s. Ledi(Bookhug\, 2018) was a finalist for the Raymond Souster Award. A thin fire runs through me (icehouse / Goose Lane) appeared in Spring 2023 and A blueprint for survival will appear with Guernica Editions in the spring of 2024. She lives in Vancouver\, ancestral\, unceded homelands of the xʷməθkʷəy̓əm\, Skwxwú7mesh\, and səlil̓ilw̓ətaʔɬ Nations. www.kimtrainor.ca \nNadia Anjuman (1980-2005) was born in Herat\, Afghanistan in 1980. In 1996\, she joined the underground Golden Needle Sewing School where young women students studied literature under the mentorship of Muhammad Ali Rahyab\, using the guise of learning to sew in order to avoid detection by the Taliban government. Her first and only book of poetry was published in 2005\, under the title گل دودی (“Gul-e-dodi\,” literally\, “Flower of Smoke\,” translated as Smoke Bloom or Dark Flower.) She was beaten to death by her husband in November 2005\, with whom she had a six-month-old son. The husband was given a five-year sentence but was freed after a few months. \nBronwen Tate reading Mina Loy \nBronwen Tate is the author of the poetry collection The Silk the Moths Ignore and a contributor to a collaborative book-length poem in homage to Bernadette Mayer called Midwinter Constellation. She teaches poetry\, nonfiction\, translation\, and creative writing pedagogy at UBC\, where she is also Undergraduate Chair. Her Substack newsletter Ok\, But How? goes deep on process and includes snacks. \nMina Loy (1882-1966) was a poet\, painter\, and tireless experimenter\, who has been called Futurist\, Dadaist\, Surrealist\, feminist\, conceptualist\, Modernist and Postmodernist. Born in London\, Loy studied painting in Munich and Paris\, wrote about sex\, childbirth\, and art\, and argued with Gertrude Stein\, Filippo Marinetti\, and other major avant-garde figures. Described by Ezra Pound as a poet of logopoeia (“a dance of the intelligence among words and ideas”)\, Loy published a poetry collection called Lunar Baedeker in 1923. Much of her most daring writing\, including a feminist manifesto written in 1914\, remained unpublished during her lifetime. \nBrandon Wint reading Derek Walcott \nBrandon Wint is an Ontario-born poet\, spoken word artist\, educator and multi-disciplinary storyteller based in western Canada. For more than a decade\, Brandon has been a sought-after touring performance poet\, having shared his work all over Canada\, and internationally at festivals and showcases in the United States\, Australia\, Jamaica\, Latvia and Lithuania. Brandon is ever-grateful for the power of poetry as a spiritual technology and social force. He is devoted to using poetry as a tool for refining his sense of justice\, love\, and intimacy. Brandon Wint’s poems and essays have been published in The Ex Puritan\, Event Magazine\, Arc Poetry Magazine\, and Black Writers Matter\, among other places. Divine Animal (Write Bloody North\, 2020) is his debut collection of poetry. His debut film\, My Body Is A Poem/The World Makes With Me screened at DOXA documentary film festival in 2023. \nDerek Walcott (1930-2017) was born in Castries\, Saint Lucia\, the West Indies in 1930. He published numerous poetry collections throughout his lifetime that dealt with the complexities of his African\, Dutch\, and English ancestry. A noted playwright\, Walcott also founded the Trinidad Theater Workshop and wrote several plays. Walcott’s honors include a MacArthur Foundation Fellowship\, the T. S. Eliot Prize\, the Griffin Trust for Excellence in Poetry’s Lifetime Achievement Award\, and he became the first Caribbean writer to receive the Nobel Prize in Literature\, in 1992. About Walcott’s work\, the poet Joseph Brodsky said: He gives us more than himself or “a world”; he gives us a sense of infinity embodied in the language.
URL:https://www.readlocalbc.ca/event/dead-poets-reading-series-2/
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DTSTART;TZID=America/Vancouver:20230909T180000
DTEND;TZID=America/Vancouver:20230909T180000
DTSTAMP:20260430T205216
CREATED:20230823T221259Z
LAST-MODIFIED:20230823T221259Z
UID:18161-1694282400-1694282400@www.readlocalbc.ca
SUMMARY:Becoming a Matriarch by Helen Knott with Troy Sebastian
DESCRIPTION:On Saturday\, September 9th at 6:00pm\, join Massy Arts Society\, Massy Books\, and Knopf Canada for the launch of Helen Knott’s Becoming a Matriarch with host Troy Sebastian. \n“Becoming a Matriarch is a feast of remarkable\, colourful\, deep and profoundly raw storytelling. Helen Knott is one of the greatest Indigenous literary artists of our time.” —Brandi Morin\, author of Our Voice of Fire: A Memoir of a Warrior Rising. \nThis project has been made possible by the Government of Canada. Ce projet a été rendu possible grâce au gouvernement du Canada. \nRegistration is free/by donation\, open to all and required for entrance. \nPurchase Becoming a Matriarch at Massy Books in advance or in person at the event. \nVenue & Accessibility \nThe event will be hosted at the Museum of Vancouver’s Joyce Walley Room\, 1100 Chestnut St\, Vancouver\, BC. \nRegistrants can enjoy free admission to the museum all day\, at any time before the event [10am to 6pm]. Just show your ticket to the event at the front desk. To see which exhibitions are currently on view\, check out this link: https://museumofvancouver.ca/current-exhibitions \nPlease refrain from wearing scents or heavy perfumes. \nCovid Protocols: Masks keep our community safe and are mandatory (N95 masks are recommended as they offer the best protection). We ask if you are showing symptoms\, that you stay home. Thank you kindly. \nParking & Directions \nThe Museum of Vancouver website has detailed descriptions of how to reach the museum by bus\, ferry\, on foot or by car. Note that the MOV parking lot is an Easy park lot with Easy park rates and is strictly monitored by Easypark. A parking violation ticket can cost $80! \nPlease visit their site to find out how best to arrive. \nAbout The Book: \nBecoming a Matriarch (Knopf Canada\, 2023) \nWhen matriarchs begin to disappear\, there is a choice to either step into the places they left behind\, or to craft a new space. \nHelen Knott’s debut memoir\, In My Own Moccasins\, wowed reviewers\, award juries\, and readers alike with its profoundly honest and moving account of addiction\, intergenerational trauma\, resilience\, and survival. Now\, in her highly anticipated second book\, Knott returns with a chronicle of grief\, love\, and legacy. \nHaving lost both her mom and grandmother in just over six months\, forced to navigate the fine lines between matriarchy\, martyrdom\, and codependency\, Knott realizes she must let go\, not just of the women who raised her\, but of the woman she thought she was. \nWoven into the pages are themes of mourning\, sobriety through loss\, and generational dreaming. Becoming a Matriarch is charted with poetic insights\, sass\, humour\, and heart\, taking the reader over the rivers and mountains of Dane Zaa territory in Northeastern British Columbia\, along the cobbled streets of Antigua\, Guatemala\, and straight to the heart of what matriarchy truly means. This is a journey through pain\, on the way to becoming. \nAbout the author: \nHelen Knott is a Dane Zaa\, Cree\, Metis and mixed Euro-descent woman from Prophet River First Nations living in Fort St. John\, B.C. She is the author of the nationally best-selling book\, In My Own Moccasins. Her second book\, Becoming a Matriarch\, has been released through Knopf Doubleday Publishing. Helen has a bachelor’s degree in social work and has worked in advocacy and wellness with Indigenous communities for almost a decade. Helen has pieces published ranging from poetry to academic articles that focus on the connection between violence against Indigenous lands and violence against Indigenous bodies. She is currently taking time to work on her third book\, a fiction\, whose story will be rooted in her peoples territory. \nAbout the host: \nTroy Sebastian |nupqu ʔak·ǂam̓ is a writer from the Ktunaxa community of ʔaq̓am. He is a doctoral student\, Vanier Scholar and Sessional Instructor in the University of Victoria’s Department of Writing. His story tax niʔ pikak̓— a long time ago- was longlisted for the 2018 CBC Short Story Prize and the 2019 Writers’ Trust Journey Prize. In 2020 he was selected as a Writer’s Trust Rising Star by Lynn Coady and was longlisted for the CBC Poetry Prize. His story The Mission won the 2022 National Magazine Award Gold Prize for Fiction. His writing has appeared in Brick\, the Globe and Mail\, Toronto Star and The Walrus. He is represented by Rachel Letofsky at CookeMcDermid.
URL:https://www.readlocalbc.ca/event/becoming-a-matriarch-by-helen-knott-with-troy-sebastian/
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DTSTART;TZID=America/Vancouver:20230909T140000
DTEND;TZID=America/Vancouver:20230909T170000
DTSTAMP:20260430T205216
CREATED:20230823T221241Z
LAST-MODIFIED:20230823T221241Z
UID:18158-1694268000-1694278800@www.readlocalbc.ca
SUMMARY:Kids Book Launch: More Than Words by Roz MacLean
DESCRIPTION:On Saturday\, September 9th from 2-4pm\, join Massy Arts\, Massy Books and Henry Holt and Co. for the launch of More Than Words: So Many Ways to Say What We Mean by Roz MacLean. \nThis tender\, stunningly illustrated picture book explores and celebrates the many forms of expression—signing\, speaking\, singing\, smiling\, among others— and culminates in a poignant story about connection and understanding. \nThis project has been made possible by the Government of Canada. Ce projet a été rendu possible grâce au gouvernement du Canada. \nVenue & Accessibility \nThe event will be hosted at the Massy Arts Gallery\, at 23 East Pender Street in Chinatown\, Vancouver. \nRegistration is free and required for entrance. \nThis event will include ASL interpretation. \nThe gallery is wheelchair accessible and a gender-neutral washroom is on-site. \nPlease refrain from wearing scents or heavy perfumes. \nFor more on accessibility including parking\, seating\, venue measurements and floor plan\, please visit: massyarts.com/accessibility \nCovid Protocols: Masks keep our community safe and are mandatory (N95 masks are recommended as they offer the best protection). We ask if you are showing symptoms\, that you stay home. Thank you kindly. \nAbout the book: \nIn the tradition of All Are Welcome and The Day You Begin comes a touching picture book about the many unique ways we communicate\, and how we can better listen to and respect these different modes of expression. \nNathan doesn’t say much. \nHe sure has a lot on his mind\, though. \nAt school\, Nathan quietly observes the ways his peers communicate. Even when they’re not talking\, they’re expressing themselves in all sorts of ways! \nBy witnessing the beauty of communication diversity\, Nathan learns and shows his classmates the essential Not only does everyone have something to say\, but seeking to understand one another can be the greatest bridge to friendship and belonging. \nThis tender\, stunningly illustrated picture book explores and celebrates the many forms of expression—signing\, speaking\, singing\, smiling\, among others— and culminates in a poignant story about connection and understanding. \nAbout the author \nRoz MacLean lives on beautiful Vancouver Island where she loves to make art\, spend as much time as possible in the forest and near the ocean. While she now spends all her time writing and illustrating\, she worked for over a decade supporting students with disabilities and diverse needs in public schools. Roz incorporates her passion for inclusion and promoting positive mental health in her books.
URL:https://www.readlocalbc.ca/event/kids-book-launch-more-than-words-by-roz-maclean/
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230908
DTEND;VALUE=DATE:20230925
DTSTAMP:20260430T205216
CREATED:20230714T221732Z
LAST-MODIFIED:20230714T221732Z
UID:17733-1694138400-1695520799@www.readlocalbc.ca
SUMMARY:WORD Vancouver
DESCRIPTION:WORD VANCOUVER READING & WRITING FESTIVAL\nSEPT 8TH – 23RD 2023 ONLINE AND IN PERSON \nMAIN HYBRID EVENT AT UBC ROBSON SQUARE\nSEPT 16TH 2023\, 10AM-5PM
URL:https://www.readlocalbc.ca/event/word-vancouver/
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ORGANIZER;CN="Word Vancouver":MAILTO:blnish_pandoras@yahoo.ca
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BEGIN:VEVENT
DTSTART;TZID=America/Vancouver:20230907T190000
DTEND;TZID=America/Vancouver:20230907T210000
DTSTAMP:20260430T205216
CREATED:20230830T172538Z
LAST-MODIFIED:20230830T172538Z
UID:18233-1694113200-1694120400@www.readlocalbc.ca
SUMMARY:Dear Friends &: A reading with Junie Désil\, Tawhida Tanya Evanson\, and Isabella Wang
DESCRIPTION:Thursday\, September 7\, 2023\nDoors at 7 pm / Readings at 7:30 pm\nFree admission \nIn-person at Western Front + Virtual attendance by livestream \nDear Friends\, \nThe Capilano Review and Western Front are pleased to invite you to the next event in our monthly reading series\, Dear Friends &. Please join us at 7:30 pm on Thursday\, September 7th\, 2023 at Western Front for an evening of poetry by Junie Désil\, Tawhida Tanya Evanson\, and Isabella Wang. The evening will be hosted by Deanna Fong. \nThe event will celebrate the close of Tawhida Tanya Evanson’s week-long Vancouver residency. Come celebrate with us! \nAdmission is free\, but registration is required for in-person attendance. The event will also be available to virtual audiences by livestream. \nSpecial thanks to Western Front for collaborating with us on this programming and to the Kootenay School of Writing for its additional support. \nWe can’t wait to see you\, \nThe Capilano Review
URL:https://www.readlocalbc.ca/event/dear-friends-a-reading-with-junie-desil-tawhida-tanya-evanson-and-isabella-wang/
LOCATION:The Western Front\, 303 East 8th Avenue\, Vancouver\, British Columbia\, V5T 1S1\, Canada
CATEGORIES:Reading
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ORGANIZER;CN="The Capilano Review":MAILTO:contact@thecapilanoreview.com
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